Technicolor PostWorks New York provided finishing services for The Dawn Wall, the riveting, new documentary from Red Bull House Media about free-climbers Tommy Caldwell and Kevin Jorgeson’s historic attempt to conquer El Capitan in Yosemite National Park. Colorist Keith Jenson worked with co-directors Josh Lowell and Peter Mortimer and cinematographer Brett Lowell in finalizing the look of the documentary, which takes audiences along for the climb as Caldwell and Jorgeson test themselves against a sheer, 3,000-foot rock face known as the Dawn Wall.
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Eurofins Digital Media Services, formerly My Eye Media, has opened an office in New York City’s Chelsea district. The company says it is the first facility in the greater New York area, dedicated solely to master quality control with a focus on 4K/UHD high dynamic range video and immersive audio formats.
The Motion Picture Sound Editors have named supervising sound editor Stephen H. Flick as recipient of the association’s 2018 MPSE Career Achievement Award.
The makers of the Screen Gems feature film The Possession of Hannah Grace are claiming an interesting cinema technology first: the project was shot in Boston using Sony A7S II mirrorless digital cameras combined with large format Hawk 65 anamorphic lenses from Vantage, an unlikely combination featuring lenses designed for large digital sensors combined with a full-frame camera with a DSLR form factor and a price tag under $3,000. Nevertheless, the filmmakers say it made for a high-quality, cost-effective production workflow.
Arts Alliance Media has relocated to state-of-the-art office space in White City Place, a new media village in West London. AAM now occupies the WestWorks, a newly renovated office building right at the heart of the campus.
London-based post-production company Envy, which has six separate facilities and more than 180 edit suites, has standardized operations on Telestream Vantage for mastering and deliverables.
Cineplexx International has opened its second and third MX4D Theatre in less than two months, this time in Serbia. Located in the country’s capital of Belgrade, which has a population of more than a million people, Cineplexx’s second MX4D theatre boasts 100 seats configured into 25 benches.
The Oscar-qualifying film Ian has been released in an unprecedented joint effort from all major children’s Networks in Latin America: Disney, Discovery Kids, Nickelodeon, Cartoon Network, Boomerang, YouTube Kids and Pakapaka in Latin America and YouTube Worldwide. This emotional film is based on the true story of a boy called Ian. The film was created by Emmy nominee Gastón Gorali, produced by Oscar winner and two-time Emmy winner Juan José Campanella and directed by Abel Goldfarb. This important film aims to help children to understand disability and for the message of inclusion to reach every home.
Dolby Laboratories received American Cinematheque's 2018 Sid Grauman Award, an honor bestowed for achievements in motion picture exhibition.
Doug Darrow, senior vice president of the Cinema Group accepted the award on behalf of Dolby.
Studio Enterprise has announced a partnership with Lightcraft Technology to provide students access to industry leading virtual production equipment. As a vertically integrated content company using education and training as a platform to impact the media and entertainment industry, Studio Enterprise’s partnership with Lightcraft Technology will entail equipment provision, collaborative training programs and master classes on how to shoot TV and movie productions using their real-time VFX platform Halide FX.
Cinematographer Rick Malkames has a deep connection with the history of cinema. His father and grandfather were also cinematographers and film historians. Over the years the family has amassed a collection of cameras and projectors that stretch back to the very beginning of the motion picture industy. The historic collection traces innovations in projection technology from the beginning to the present. In a short video, recently released by Samsung, Malkames walks us through his family’s history and collection and concludes with his thoughts about Samsung’s Onyx LED Cinema Screen
The new feature film Mid90s, which marks the directorial debut of Jonah Hill, tells the coming-of-age story of Stevie, a 13-year-old Los Angeles boy who seeks escape from troubles at home in the company of the friends he meets in a local skate shop. Post-production finishing for the film was completed at Technicolor PostWorks New York where colorist Alex Bickel worked directly with Hill and cinematographer Christopher Blauvelt to recreate the sun-washed look of 1990s Southern California and the taut emotional landscape of Stevie’s world
Director of photography Joe Callahan recently completed principal photography on a feature-length documentary about wildlife rescue and rehabilitation in India. The documentary, aiming for premium festival berths, profiles the pioneering work of Wildlife SOS, a worldwide organization dedicated to protecting and conserving India’s natural heritage, forest and wildlife wealth. The majority of location work on the documentary (working title, Where the Wild Things Aren’t) took place last June all across India—jungles, deserts and the teeming cities of Jodhpur, Delhi and Agra.
Lotte Cultureworks, a newly established subsidiary of Lotte Group that oversees the operations of Lotte Cinema, has purchased 120 Christie cinema projectors for deployment in its new multiplexes in South Korea, Vietnam and Indonesia.
Vettri Theatres has become the first cinema in India to be equipped with a Christie CP4325-RGB RealLaser cinema projector. Located in Chennai, Vettri Theatres is one of the most prominent cinemas in the city’s Chrompet district with a single-screen auditorium featuring ergonomic cushion seats, three-way stage speakers and eye-catching interiors. The massive auditorium has a capacity of 776 seats and is highly popular among students, working professionals and residents in and around Chrompet district.
The first speakers have been confirmed for the Digital Cinema Summit scheduled for February 6, 2019 at the Okura Hotel in Amsterdam the Netherlands. Created by Digital Cinema Report in conjunction with Integrated Systems Europe, the theme of the half-day event is Transforming the Moviegoing Experience.
Volfoni has been granted patent number 10,151,932 in the U.S. territory for its three dimensional elliptical polarization. Previous third-party cinema systems for 3D have required the use of passive 3D glasses based on either circular or linear polarization. Volfoni’s innovation instead uses passive 3D glasses based on elliptical polarization. According to the company, this not only improves the overall light efficiency and performance, but also avoids a host of other third-party choices, which specifically mandate the use of circular polarization.
Alamo Drafthouse Raleigh has become the first multiplex to receive QSC Certification. QSC Certified theatres are equipped with complete sound systems from QSC, and meet a set of technical guidelines for equipment, projection, acoustics, and room design, to ensure an outstanding movie-going experience.
Cinematic Media, a full-service post-production finishing facility focused exclusively on television and cinema content, has launched in Mexico City. Located on the lot at Estudios GGM, the new facility offers dailies, look development, editorial finishing, color grading and other services, and aims to capitalize on booming entertainment media production in Mexico and throughout Central and South America. In its first project, Cinematic Media provided finishing services for the second season of the Netflix series Ingobernable.
Technicolor PostWorks New York and Prasad Corporation have formed a strategic partnership to provide full-service film scanning and digital restoration services in 8mm, Super8, 16mm, 35mm, 65mm, 2K, and 4K for archival preservation purposes for classic independent films readying for re-release.