French post-production facility, VSI Paris / Chinkel SA has installed a Telestream Vantage media processing and workflow automation platform to streamline operations. Throughout the installation, Telestream worked closely with its local channel partner, Videlio-Cap'Ciné.
The Digital Asset Symposium, presented by the Association of Moving Image Archivists, has added several panel discussions to its May 5 program lineup. The DAS brings together top experts in various fields to address the ongoing challenges facing digital asset management practitioners. The event is being held at the Museum of Modern Art in Manhattan.
Axle Video has released axle ai, which it calls “a breakthrough media analysis and search platform.” Post-production teams can use axle ai to save a tremendous amount of time that would otherwise be spent manually tagging their media, and can benefit from the ability to find media that may not have been managed at all, often simply with cryptic multi-digit filenames from camera media.
WCPMedia Services has announced improvements to its cloud-based media management platform to help television and motion picture producers better store, manage and share assets throughout the production cycle. New features and enhancements address core production activities including dailies management and transcoding, review and approval, and distribution to post-production partners and end-users.
Post house Colortime of Burbank, California has installed a Dalet Galaxy platform to provide workflow automation and media asset management.
WCPMedia Services managing director, Americas Kenneth Yas will describe how emerging cloud-based media management technologies are creating new workflows and new opportunities for production companies, post-production facilities and other in two Breakfast Roundtable discussions at the Hollywood Professional Association’s 23rd annual HPA Tech Retreat in Indian Wells, California.
WCPMedia Services has added a number of new features to its media asset management platform designed to improve asset management, simplify transcoding, speed content delivery, enhance communication and collaboration, and boost marketing. Producers of the current television series The Young Pope from Sky, HBO and Canal Plus, used the WCPMedia platform to share assets with stakeholders around the globe during production and post.
Leslie Carney has more than twenty years of experience in television post-production. Working as post supervisor for MTV's Stranded with a Million Dollars, which will air February 21, she recently delivered 10 one-hour episodes. An efficient workflow has rarely been more critical. “The show was challenging,” said Carney. “It was shot over 40-days using 14 different types of cameras, including RoboCams and 4K Drones. We had to deal with a massive amount of media and all kinds of frame-rates and codecs.”
Chainsaw Edit is part of the Sim Group family and has two post facilities in Hollywood. When they started looking for ways to better handle their growing demand for multiple file format deliveries, they chose Cinedeck.
MTI Film has released DRS Nova 2.3, an upgrade to its software for digital film restoration. The new release includes a host of new and enhanced features created in response to requests from restoration professionals worldwide. All are aimed at making such tasks as dust busting, image stabilization and de-warping faster and easier.