Screen actors convey emotion in several ways: their voices, their eyes and the subtle color changes of their facial skin. But what if – as in the case of Gary Oldman’s Oscar-winning performance in Darkest Hour – much of their face is covered in silicone? That was one of the key questions Peter Doyle, supervising colorist at Technicolor, addressed when he collaborated on the film’s palette.
Veteran colorist Trent Johnson has joined MTI Film. Johnson brings more than 25 years of experience and credits spanning features, animation, episodic television and restoration. His recent credits include Columbia Pictures’ The Emoji Movie, Screen Gems’ Proud Mary and the upcoming MGM comedy Overboard.
The Ymagis Group today announced the launch of a professional license program for its EclairColor high dynamic range system in favor of independent film laboratories, content services companies and projection system integrators. EclairColor used by filmmakers and content creators to significantly enhance the cinema experience by bringing richer colors, greater brightness and definition, more depth of field and more density to the screen.
Ymagis Group today reported that the Bpifrance Assurance Export, acting on behalf of the French State, has approved an overall investment budget of €6 million to help accelerate the development of the EclairColor high dynamic range system in the United States and Canada.
FotoKem was the facility of choice for providing comprehensive creative and technical services from pre-production through final deliverables on the critically acclaimed Star Wars: The Last Jedi from Disney/Lucasfilm. The facility built technically advanced solutions that supported the creative team through their interplanetary production from dailies to color grade.
Wonder Wheel, from Amazon Studios, reunites Allen with veteran cinematographer Vittorio Storaro, who was behind the camera for Allen’s Café Society, where his cinematography earned the biggest raves from critics reviewing the film. The movie also reunites colorist Anthony Raffaele of Technicolor PostWorks New York and DIT Simone d’Arcangelo.
MTI Film recently provided final post-production services for The Story of Us with Morgan Freeman, a six-part documentary series on National Geographic. The facility handled editorial conforming and color grading for the series in which the veteran actor travels the globe “in search of an answer to one fundamental question for humanity: what are the common forces that bind us together?”
Post-production finishing for season six of TNT’s police drama Major Crimes is currently underway at MTI Film, continuing a relationship that began with the show’s debut in 2012. The facility faces tight deadlines and significant technical and creative hurdles in delivering each of 13 episodes included in the current season.
Making a film for the first time is a challenge enough in itself, but post-production can sometimes be even more daunting. Aspiring filmmaker Michael Thibault said, “Strangely, all the things we were warned about – actors, scheduling, permits, etc – weren’t a problem at all. But when it came to post-production, it was a complete nightmare until we brought the show to AlphaDogs. We tried to get by cheap and skip using a professional post house, only to find out these freelance colorists and audio mixers have no clue as to what they are doing.”
Les Cinémas Gaumont Pathé, the largest cinema chain operator in France, the Netherlands, and Switzerland, has installed Dolby Cinema at Pathé Massy, south of Paris, and will open today. This marks the first Dolby Cinema in France, with Pathé Vaise in Lyon and Pathé Docks 76 in Rouen opening later this year.