Cinematographer Adam Kimmel ASC used Cooke Optic’s new Anamorphic/i SF lenses to shoot Mark Felt: The Man Who Brought Down The White House, which tells the story of the whistle-blower FBI agent who worked with journalists Bob Woodward and Carl Bernstein to uncover the Watergate scandal.
The Television Academy has announced that Arri is a recipient of one of the 69th Engineering Emmy Awards for outstanding achievement in engineering development for its Arri Alexa digital motion picture camera system. The Television Academy’s Engineering Emmys are presented to individuals, companies, or organizations for engineering developments that considerably improve existing methods or innovations that materially affect the transmission, recording, or reception of television.
While language barriers posed some initial challenges for the Chinese and international crew and cast of S.M.A.R.T. Chase, the upcoming action thriller produced by Bliss Media and starring Orlando Bloom, the choice of camera and lenses did not. The film was directed by Charles Martin and shot by director of photography Philipp Blaubach using Cooke Anamorphic/i lenses on Arri Alexa digital cameras to capture the modern architecture and dazzling night skyline of Shanghai.
Exactly 100 years to the day after Arri’s inception, the film technology company held an exclusive centenary celebration for select guests at the Isarforum of Munich's famed Deutsches Museum. On September 12, Arri's executive board and members of the Stahl family, the company’s owners, welcomed around 100 guests, including long-standing clients, partners, and companions from the global film industry.
HBO’s drama series The Deuce, set and around New York’s Times Square in the 1970s, tells the story of the legalization and growth of the porn industry, as well as the rise of HIV and the drug epidemic. The series stars James Franco, playing twin brothers Vincent and Frankie Martino, who become fronts for the Mob. Maggie Gyllenhaal also stars as Eileen “Candy” Merrell, a sex worker who is drawn into the porn industry. Created and written by David Simon (The Wire, Treme) and crime fiction author George Pelecanos, The Deuce was shot by cinematographer Vanja Cernjul, ASC (Orange Is the New Black, Nurse Jackie).
Sony Electronics is unveiling Venice – its first full-frame digital motion picture camera system. Venice is the next generation of Sony’s CineAlta camera systems, designed to expand the filmmaker’s creative freedom through immersive, large-format, Full Frame capture of filmic imagery producing natural skin tones, elegant highlight handling and wide dynamic range. Venice was designed through close collaboration with the creative community, fulfilling the requirements from filmmakers and production professionals.
Regardless of budget, every director and cinematographer wants their film to look its best. That was no different with Blood Runs Thick, a low budget, indie horror feature from director Romane Simon and shot by Los Angeles-based Nik Shaw.
The Workshop’s True North is an inspiring documentary about Sean Swarner, who in 2002 became the first cancer survivor to reach the top of Mount Everest. He’s kept climbing ever since spreading his encouraging message of hope. In a span of five years, the two-time cancer survivor with only one functioning lung scaled the Seven Summits, the highest mountains in each of the seven continents.
MTV’s new reality series, Siesta Key, takes the tried and tested concept of earlier efforts like Laguna Beach: The Real Orange County and moves it to Florida, following a new group of young adults confronting issues of love, heartbreak, betrayal, class, and looming adulthood as they spend the summer together in their beautiful hometown. Siesta Key is set on a small barrier island off the coast of Sarasota. Cinematographer Gareth Paul Cox shot the series with VariCam 35 and LT cinema cameras.
New York City and Los Angeles-area cinematographers and filmmakers are invited to attend an exclusive first look of Panasonic’s new AU-EVA1 cinema camera. The events will include the screening of short films shot with the new cinema camera and a question-and-answer session with the films’ cinematographers who will discuss shooting with the EVA1.