While trying to keep her boyfriend’s surprise birthday party on track, Katie’s day takes a drastic detour after picking her brother, Seth, and his daughter up. Realizing Seth has relapsed in his heroin addiction, Katie drives him around town trying to find a detox center that will admit him. 6 Balloons was written and directed by Marja-Lewis Ryan and shot by cinematographer Polly Morgan, BSC (Spinning Man, The Intervention) with VariCam 35 cameras. The Netflix feature film, which stars Abbi Jacobsen and Dave Franco, had its premiere at this year’s South by Southwest film festival in March and began streaming on Netflix in April.
Cinematographer Steve Yedlin, ASC will present his work on cinema image quality at this month’s Society of Motion Picture and Television Engineers’ Hollywood Section meeting May 16 at the Linwood Dunn Theater. The two-part demonstration, titled On Acquisition and Pipeline for High-Resolution Exhibition, premiered at Camerimage in 2016 and now is widely available online. The SMPTE Hollywood Section event will give attendees the opportunity to view Yedlin’s demonstration in a high-quality theatrical exhibition venue.
Steven Spielberg’s Ready Player One features two separate worlds. Each features very different realities and each required a different approach to filming. One depicts a fractured, dystopian future, while the other is filled with infinite possibilities. To help create this, Audiomotion, in collaboration with Digital Doman, relied on Vicon optical systems.
Panasonic has announced the immediately available of a free firmware 1.12 upgrade for the new AU-EVA1 5.7K handheld cinema camera. This upgrade expands lens compatibility for a number of popular Sigma ART lenses.
For the historical vignettes in the upcoming CNN six-hour, six-part miniseries Pope: The Most Powerful Man in History, cinematographer Dane Lawing wanted each era to have its own look and a distinctly cinematic feel. To achieve this, he relied exclusively on Cooke S4/i prime lenses.
Arri Rental, a leading provider of camera, lighting and grip equipment, is pleased to announce the addition of Peter McCaffrey to its marketing team. As international marketing executive, McCaffrey will function as a bridge between Arri Rental and set, helping to form and nurture industry relationships.
Panavision has introduced the Millenium DXL2 8K camera, which the company says is the heart of a complete imaging ecosystem designed from filmmakers’ perspectives. The new camera incorporates Panavision’s optics and camera architecture, the Red Monstro 8K VV sensor, and Light Iron color2 science (LiColor2).
Arri today unveiled the Alexa LF camera, which is based on a large-format 4K version of the Alexa sensor. The new camera is part of a system that also includes, Arri Signature Prime lenses, LPL lens mount, and PL-to-LPL adapter. It is also compatible with existing lenses, accessories, and workflows.
Sony’s next-generation CineAlta motion picture camera Venice begins shipping to customers this month. As previously announced, version 1.0 features in Venice will include support for full-frame 24x36mm recording.
Arri Rental Brooklyn Haus is now open in Greenpoint, Brooklyn. Situated in the heart of Brooklyn’s studio landscape, with locations such as Broadway Stages, Steiner Studios, Silvercup Studios and Kaufman Astoria Studios in immediate proximity, Brooklyn Haus functions as a traditional camera rental facility, as well as a gathering place for production and crews, with meeting rooms, entertaining spaces and a café.