Restoration

Beloved Local Cinema Set to Reopen

Thu, 11/18/2021 - 12:26 -- Nick Dager

The Gregg Theatre in Sedan, Kansas, is preparing to open its doors once again thanks to a dedicated team of local volunteers and some help from Christie’s professional services team. First opened in August 1938, and featuring a beautiful marquee, the Gregg Theatre was one of the first theatres to introduce talking pictures. It was remodeled over the years, and a new, larger projection screen was installed in 1947

MTI Upgrades Nova Digital Restoration Software

Wed, 09/29/2021 - 08:46 -- Nick Dager

MTI Film has released DRS Nova v5, the latest version of its digital restoration software. The company says V5 has new features to perform common restoration tasks more easily and manage projects more efficiently, especially those delivering in 4K high dynamic range. MTI Film also introduced Shine, a utility for DRS Nova that automates the filtering of dirt and fleeting scratches, reducing the time to make those repairs by as much as 70 percent.

NYWIFT Nominates Two Works for National Film Registry

Tue, 06/29/2021 - 12:43 -- Nick Dager

The Women’s Film Preservation Fund of New York Women in Film & Television is nominating two WFPF-preserved films for inclusion on this year’s National Film Registry: The Wobblies, 1979, by Deborah Shaffer, Stewart Bird and Betty Tells Her Story, 1972 by Liane Brandon. Both films explore a diverse range of issues and innovative approaches to filmmaking practiced by women filmmakers.

Grizzly II: The Revenge Reborn

Wed, 03/24/2021 - 09:29 -- Nick Dager

Goldcrest Post recently performed a feat of post-production magic for one of the most unusual film releases of the year. Grizzly II: The Revenge, a thriller about a giant bear that attacks fans at a rock concert, was shot in 1983 by the late Hungarian director André Szöts. Starring Steve Inwood, and including appearances by George Clooney, Laura Dern, Louise Fletcher and Charlie Sheen, the film was intended to be a sequel to Grizzly, a modestly budgeted independent film that became the top grossing independent film of all time upon its release in 1976, but it was left unfinished. That changed late last year when executive producer Suzanne C. Nagy retrieved the nearly 40-year-old original elements from storage and sought Goldcrest’s help in getting the film ready for its long-delayed release.

AMIA Launches Diversity and Inclusion Fellowship Program

Thu, 05/21/2020 - 09:04 -- Nick Dager

The Association of Moving Image Archivists has launched the AMIA Diversity and Inclusion Fellowship Program a new initiative designed to expand career opportunities, advance learning objectives and guide professionals from groups that have been traditionally underrepresented in the field of audiovisual archiving and preservation.

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