The American Society of Cinematographers honored three student filmmakers tonight at their annual student awards presentation, held at the organization’s clubhouse. The competition is designed to highlight the work of emerging talent, and inspire the next generation of filmmakers. The winners are:
The American Society of Cinematographers has announced the honorees for the 31st annual ASC Awards for Outstanding Achievement. Edward Lachman, ASC; Ron Garcia, ASC; Philippe Rousselot, ASC, AFC; and Nancy Schreiber, ASC will be recognized for their contributions to the art of cinematography at the organization’s awards gala on February 4, 2017, at the Ray Dolby Ballroom at Hollywood & Highland. Lachman will receive the Lifetime Achievement Award. Garcia will be bestowed with the Career Achievement in Television Award. Rousselot earns the International Award, and Schreiber will take home the Presidents Award.
DP Colin Noel says there are certain locations that a cinematographer dreams of shooting and, for him a Ferris wheel at night is one of them. When the music video concept of Hartford, Connecticut-based Bronze Radio Return’s Only Temporary was presented to him, it was an opportunity he couldn’t pass up.
Cinematographer Gareth Paul Cox recently shot up-and-coming director Aundré Johnson’s tentatively titled project, The Driver, an ambitious 15-minute short that takes place mostly inside a car. It tells the story of a limo car service driver, who ventures off the beaten path to start his own car service using borrowed money from individuals with possible mob ties. For Cox, there were several big challenges for the low budget short, including driving and shooting on L.A. streets without a process trailer, or any serious rigging.
Continuing their mission to advance the art of cinematography by inspiring and educating the next generation of filmmakers, the American Society of Cinematographers has announced the nominees for the 2016 ASC Haskell Wexler Student Documentary Award and the Vilmos Zsigmond Student Heritage Award for Undergraduates and Graduates.
“When Woody Allen asked me to do Café Society, he had never done a digital capture before, but I knew that I had to jump completely into this new chance we had,” said Vittorio Storaro. “I wanted to see images on set that would be very close to the final result and afterwards on dailies even closer, almost 90 percent of that way to what we would see at the end.”
Cinematographer Stefan Duscio recently finished shooting Greg McLean’s psychological thriller Jungle: A Harrowing True Story of Survival, based on Yossi Ghinsberg’s memoir. The film recounts Ghinsberg’s 1982 journey through the Amazon where he ended up alone for three weeks before being found and rescued. Jungle stars Daniel Radcliffe in an Arclight Films production, directed by Greg McLean and lensed by Stefan Duscio.
Assimilate’s Scratch 8.5, build 909, now includes support for Red’s new 8K Weapon Helium Sensor, as well as the 8K Weapon VistaVision-sized full frame sensor. Support includes the Log3G10 gamma space and RedWideGamutRGB color space.
When Luke Sauer, veteran director of photography of reality television production, including Wives with Knives and I (Almost) Got Away with It, was selected to shoot the Lasso he knew it would involve a lot of night shoots. Lasso, a survive the night thriller directed by Evan Cecil, centers around senior community center workers Kit (Lindsey Morgan) and Simon (Andrew Jacobs), whose lives are turned upside when they find themselves fighting to stay alive against a group of bloodthirsty cowboys from the local rodeo. Lasso is his first feature project. Currently in post-production, the film is slated for an early 2017 release.
Director/DP Hal Long had a challenge. “The producers (including Bill Rogin and Cole Klapman) are committed to having a 4K master for residual use,” Long said. “And for season two, I wanted a 4K camera that would deliver better color accuracy and separation.” Long, a longtime user of Panasonic P2 cameras said that was why both seasons of Gunny Time were shot and finished in 4K with Panasonic VariCam 35 4K cinema camera/recorders.