Mad Max: Fury Road is the fourth installment in writer/director George Miller’s post-apocalyptic action franchise and the first digital film for cinematographer John Seale.
Group 1200 Media, in conjunction with Giant Ape Media, announced today a partnership with Tugg to release live-action Korean zombie coming of age melodrama, Let Me Out theatrically in three U.S. cities simultaneously for one night only on Wednesday, September 25th at 7:30pm. Let Me Out is the first Korean independent film released back-to-back in both Korea and the U.S. and is distributed in the U.S. by Funimation Entertainment, a Group 1200 Media company, based in Flower Mound, Texas.
Being a pioneer in any field is at the very least daunting, but imagine if what you are doing not only deals with a taboo topic of the era, but could also earn you some time in jail? In the documentary film I Always Said Yes: The Many Lives Of Wakefield Poole audiences are given an inside look into the life of overlooked gay liberation and independent film pioneer, Wakefield Poole.
For the 13th consecutive year, Christie Digital Systems will serve as the digital cinema projection partner for the Toronto International Film Festival, which takes place September 5–15. Godfrey Reggio’s 4K movie Visitors will premiere at the festival.
Band Pro Film & Digital will screen the 4K short film Viewing the Night Sky in Summer in Amsterdam at the 2013 International Broadcasters Convention.
The Spectacular Now is not all that spectacular.
Closed Curcuit is a kettle of partially fileted fish of all kinds in the hands of a chef who can’t decide on a recipe.
The Butler is Forrest Gump meets the Civil Rights era.
Jennifer Aniston is outrageously funny in We're the Millers.
While filming his second commercial spot for the upscale fast-food Southeast-based company, Backyard Burger, Jon Chema faced both a tight budget and the challenge of wrangling a real live untrained cow.