Last July PostWorks New York announced that it had formed a new digital film distribution service, PostWorks Digital Cinema, and hired industry veteran Greg Fornero to lead it. The plan was to work with indie film producers and distributors, international film festivals and independent digital intermediate facilities to provide digital cinema package duplication, drive set rentals and sales, KDM management and broadband content delivery services. To get a progress report on the new service I recently visited the PostWorks’ facility in New York City’s Tribeca neighborhood to meet with senior vice president for theatrical services Clark Henderson.
The Hobbit: The Desolation of Smaug was brought to life at Park Road Post Production, New Zealand, where the production team mastered both high frame rate stereoscopic 3D at 48 frames per second and immersive Dolby Atmos sound, and integrated it all into the digital cinema package process.
The main tool they used for the task was the DVS Clipster, which allows for the world’s first implemented high frame rate DCI workflow with Dolby Atmos.