Cooke Anamorphic/i lenses

A Different Look for Nordic Noir

Wed, 01/18/2017 - 12:24 -- Nick Dager

When cinematographer Johan-Fredrik Bødtker, FNF was selected to shoot the forthcoming Norwegian drama series, Valkyrien, he knew what look he wanted. “I wanted the series to feel clean and contemporary but move away from the typical Nordic noir look. It was also very important to me that we could capture the details and mood on all of the different sets, especially the dark and dirty ones,” said Bødtker. “I needed a glass that was sharp, but not too sharp, that would have the right fall off and bokeh, and that would not flare or ghost as soon as the camera was pointed at a light source.”

Chronicling an Australian Legend

Tue, 01/10/2017 - 11:12 -- Nick Dager

Red Dog: True Blue is the iconic Australian story of friendship and adventure between a young boy and a scrappy one-of-a-kind dog that would grow up to become an Australian legend. The film is the prequel to 2011's Red Dog. Both films were directed by Kriv Stenders, written by Daniel Taplitz, and photographed by Geoffrey Hall. The film features wide desert vistas of Western Australia. It was shot full 2.40 anamorphic using an Alexa XT with a Cooke Anamorphic/i lens package from boutique rental house HyperFocal of Sydney.

Duscio Wraps Jungle Shoot

Tue, 08/16/2016 - 12:33 -- Nick Dager

Cinematographer Stefan Duscio recently finished shooting Greg McLean’s psychological thriller Jungle: A Harrowing True Story of Survival, based on Yossi Ghinsberg’s memoir. The film recounts Ghinsberg’s 1982 journey through the Amazon where he ended up alone for three weeks before being found and rescued. Jungle stars Daniel Radcliffe in an Arclight Films production, directed by Greg McLean and lensed by Stefan Duscio.

A Strong Optical Personality

Mon, 04/04/2016 - 11:08 -- Nick Dager

When director of photography Julián Apezteguia, ADF (La Asociación de Autores de Fotografía Cinematográfica Argentina — Argentinian Society of Cinematographers) got the chance to work with director Pablo Trapero for the second time, on the director's latest film El Clan — a dark story set in the 1980's about a family of kidnappers and murderers — they used a full range of Cooke Anamorphic/i lenses to give the film a “strong optical personality.”

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