March 1, 2013

The Big Picture

The Empire State Strikes Back

By Nick Dager

NY FilmAs digital technology inexorably transforms the way movie theatres do business, exhibitors at times may feel singled out as they adapt to the challenges of the transition. Realistically, though, as things stand now no segment of the motion picture business has been altered more dramatically than post-production. In the 1980s both audio editing and video editing were drastically changed by the advent of digital tools and, at first, those who adapted were happy. By the start of the Nineties the post business was booming, driven by the high hourly rates that could be commanded for work done in editing suites that often cost a million dollars or more to equip. Even more dramatic change came at the end of that decade, though, as lower cost tools gradually forced many facilities out of business. From 2000 to 2010, the industry saw a 43.2 percent decline in the number of video post-production companies, according to a 2011 report from IBISWorld on the nation’s Top 10 dying industries. New York, always a thriving production center, was not immune to these changes. Today, though, there are growing signs that the state’s overall production picture is poised for a comeback. The Empire State is striking back.

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Feature Stories

Guest Column
Tipping Point

An Open Letter from Eric Roth
Executive Director
The Visual Effects Society

[Editor’s Note: At the Oscars ceremony when Ang Lee and Claudio Miranda failed to acknowledge the incredible contribution that visual effects artists made to the creation of Life of Pi an issue that has been simmering for a long time finally boiled over. Here is the reaction from Eric Roth, executive director of the Visual Effects Society.]

In light of current events, the Visual Effects Society (VES), an honorary body comprised of the very best visual effects artists around the world, has issued two calls to action:


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Business
Consultancy Conference Deemed Successful

By Melissa Keeping
Digital Cinema Report    
European Correspondent

The attendance said it all: 260 tickets sold, 12 territories represented, standing room only.  The DCS Conference on February 7, at the Vue Cinema in London, hosted by newly formed UK based consultancy Digital Cinema Solutions, had originally been aimed at the UK market but demand was clearly so high all over Europe for a symposium on the key issues facing the digital cinema industry that the organizers were quite overwhelmed, and the conference swelled to the point where chairs were being hastily brought in from outside.

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Coming Soon

Cinderella

In May More2Screen will screen a new version of Cinderella.

Complete story in our next edition

News Stories

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Gotham, PELA Announce Merger

The entertainment management and production company Gotham Group and talent management firm Principal Entertainment Los Angeles have joined forces, effective immediately and will be housed in The Gotham Group’s existing offices in Los Angeles. The announcement was made by Ellen Goldsmith-Vein, founder and CEO of The Gotham Group, and PELA partners Marsha McManus, Larry Taube and Liz Robinson. Gotham’s Lindsay Williams and Lee Stollman will help manage the relationship on the Gotham side.

Reinventing Cinema now available at Diesel Books

Reinventing Cinema: The First Decade of Digital Cinema by Nick Dager is now available at Diesel Books. In May 1999 Star Wars: Episode 1 – The Phantom Menace opened with digital screenings in a handful of movie theatres in and around New York and Los Angeles: digital cinema’s first decade was underway. Now on sale for only $1.99.

Be Film The Underground Film Festival to be Held April 23-27 in New York

Be Film The Underground Film Festival has announced dates for its 10th edition scheduled for April 23-27. The opening night party and screening will take place at the Dolby Screening Room in New York on April 23rd at 6:00pm.

Argo Win Continues Kodak Film 85-Year Oscar Streak

Argo’s best picture win topped off a successful night at the Academy Awards for movies originating on Kodak film. In the 85-year history of the awards, no Oscar-winning best picture has ever been made without motion picture film technology.



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The Film School of New York Film Academy gives students the filmmaking experience necessary to make their own films. There is no single path or formula for creating a career in filmmaking. Our filmmaking graduates have gone on to win awards at film festivals, start production companies, become cinematographers, film editors, screenwriters, directors, producers, and even actors.

Dreamworks’ The Croods Released in Barco Auro 11.1

The CroodsFollowing its recent alliance with Barco, Dreamworks Animation has released The Croods in the Auro 11.1 by Barco cinema sound format. The movie screened in Auro 11.1 at the CineStar Sony Center in Berlin last month. CineStar’s Sony Center cinema at Potsdamer Platz has eight theaters equipped with Auro 11.1.

Sound City Tops iTunes Documentary List Two Weeks in a Row

Sound CityNamed one of the Best Movies of 2013 by film site Rotten Tomatoes with a 100 percent fresh tomato meter, Dave Grohl’s directorial debut Sound City remains atop the iTunes documentary charts for the second week in a row in the U.S. and 15 countries and jumped to the top spot of the Amazon Documentary chart in Blu-ray pre-orders.

Movie, TV Trade Groups to Promote Parental Media Controls

The television and film industries have announced plans to roll out a national multimedia campaign to inform parents about the many tools that can help them manage what their children see on television and at the movies. 

The industries say they will make a positive contribution to the national conversation on violent behavior by launching a national educational campaign through communications channels including television public service announcements, educational and informational websites, in-theater advertising, and other media.



Kormákur’s The Deep Wins Eleven Edda Awards

The DeepBaltasar Kormákur’s riveting drama The Deep won a record 11 Edda Awards at the annual ceremony celebrating Icelandic film and television, the most honors a film has received in the event’s 15 year history. The film received 16 nominations in 14 categories and among the prizes won was Best Film of the Year, Best Director, Best Actor in a Leading Role for Ólafur Darri Ólafsson, Best Cinematography, Bergsteinn Bjorgulfsson and Best Original Score, Ben Frost and Daníel Bjarnason.

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