At the National Association of Broadcasters convention held earlier this month in Las Vegas, Assimilate announced v8 versions of its popular Scratch and Scratch Lab software, allowing users to encode Apple ProRes files on Microsoft Windows 7/8-based PCs. Scratch and Scratch Lab customers can now use both the OS X and Windows versions of the software. Artists either on-set, or in post-production are guaranteed the highest possible quality and encoding speeds on each platform. In addition, Scratch 4K is now available at Scratch 2K prices.
The U.S. comedy series Anger Management from Debmar-Mercury Productions on FX Network has saved an estimated $2.25 million in post-production costs, while supporting the delivery of double the number of episodes typically produced over the same production period. The producers attribute the savings to Cinedeck RX technology
At last week’s National Association of Broadcasters show in Las Vegas Codex announced that is working with Vision Research to provide a robust and powerful workflow for the Phantom Flex4k camera. Codex Vault is a mobile workflow device that supports the rapid transfer of the digital camera originals from the Phantom for review, post-production and archiving
Codex announced a fully supported workflow for Red Epic Dragon cameras, and highlighted the system at last week’s National Association of Broadcasters show in Las Vegas.
Marvel Studios used Codex recording technology to streamline the capture-to-post workflow on several high-profile productions, the most recent of these being Captain America: The Winter Soldier. Cinematographer Trent Opaloch chose to frame the action in a widescreen anamorphic format, captured by Arri Alexa Plus cameras shooting ArriRaw with a 4:3 sensor and Codex Onboard S recorders.
Legend3D has announced that has purchased a Mistika 3D system from SGO. It will integrate its Mistika post-production system with two Assist Stations into the conversion and visual effects pipeline at the company's 60,000 square foot studio with multiple theatres and R&D facilities. With the capacity to work on up to three full feature films and multiple commercials concurrently, Legend3D has delivered projects such as The Lego Movie, Man of Steel, Life of Pi, The Amazing Spider-Man, The Smurfs 1 & 2, Pirates of the Caribbean: On Stranger Tides, and many others.
Codex has announced that it is working with Vision Research to provide a robust workflow for the Phantom Flex4K camera. Already widely used around the world with many different cameras, Codex Vault is a mobile workflow device that supports the rapid transfer of the digital camera originals from the Phantom for review, post-production and archiving.
Imagineer Systems will give attendees of the National Association of Broadcasters convention in Las Vegas April 7-10 a technology preview of new capabilities planned for the next release of mocha Pro and mocha AE planar motion tracking and visual effects software.
In Annapurna Pictures’ Her, director Spike Jonze tells a story, set in the slight future, of Theodore, a complex, soulful man who becomes intrigued with a new, advanced operating system that promises to be an intuitive and unique entity in its own right. Starring Joaquin Phoenix, Amy Adams and Rooney Mara, and featuring the voice of Scarlett Johansson, the film has attracted extraordinary critical praise as well as Academy Award nominations for Best Picture, Best Original Screenplay, Best Production Design, Best Score and Best Original Song.
Light Illusion’s LightSpace CMS color management system now integrates with the FujiFilm IS-mini 3D LUT box. With this integration, users of the LightSpace CMS can now perform automated calibration of any display using the IS-Mini as a patch and signal generator, under direct control of LightSpace CMS, building custom calibration LUTs that can be directly up-loaded into the IS-mini.