Deluxe has launched the Content & Key Manager to replace their existing Cinema Portal platform. The Content & Key Manager has been integrated as a service within Deluxe One – the company's flagship cloud-based platform that unifies each stage of the content supply chain, creating an end-to-end ability to manage assets and requirements from creation to delivery.
Tower 3, a new documentary short from Irish filmmaker and artist Marcus Robinson, commemorates the massive construction project behind the latest addition to New York’s World Trade Center site, an 80-story structure that is now the city’s fifth largest building. Commissioned by Silverstein Properties for ribbon-cutting ceremonies marking the building’s completion, the five-minute film was produced by Robinson with technical and creative assistance from Technicolor PostWorks New York.
[Editor’s Note: Mark Smith is the owner and director of photography for Oh Seven Films, the production company he started in 2001. In this exclusive guest column he talks about the documentaries he's made about the search for Amelia Earhart.]
Over the years, my company has been involved in productions that span the gamut, from creating ads and television programs to documentaries and indie feature films. Though there’s certainly a lot of variety in our work, we focus heavily on documentary projects. For example, for the past 17 years, I’ve been the documentarian for TIGHAR (The International Group for Historic Aircraft Recovery) on an ongoing project to discover what happened to pilot Amelia Earhart — work that has resulted in a couple of Discovery Channel programs.
Donbass, a new movie by Ukrainian writer/director Sergei Loznitsa, is to be shown as a work-in-progress version at the 2018 Cannes Film Festival. Post-production was to a tight timescale – shooting only wrapped in March – and Bucharest facility Digital Cube used a Baselight grading suite to ensure delivery while retaining full creative control over the look.
FotoKem was the facility of choice for providing comprehensive creative and technical services from pre-production through final deliverables on the critically acclaimed Star Wars: The Last Jedi from Disney/Lucasfilm. The facility built technically advanced solutions that supported the creative team through their interplanetary production from dailies to color grade.
With the astounding popularity of the animated feature films from Paris-based Illumination Mac Guff, it would seem the whole world already knows about the secret lives of pets and the villainous plots of Gru and his goggle-eyed minions. But few moviegoers—or even the studio’s own digital artists—would guess the inner workings of the production systems behind the stories.
FilmLight has released of Baselight 5.0, along with 5.0 color tools across its entire product range. Offering more than 50 new features, version 5.0 has been used over the last year on a variety of real projects with complex workflows. According to the company, the feedback from colorists around the world has been very positive.
Award-winning production studio Jellyfish Pictures today announced that it has launched a subsidiary business called RenderWise. Responding to the obstacles faced when met with time sensitive demands, RenderWise offers cloud hybrid rendering and virtual studio solutions for VFX and animation applications.
Film-marketing agency Picture Production Company is the first facility to place an order for the EditShare XStream EFS 300 single-node, scale-out storage platform. Renowned for its creative work, PPC has locations in Soho, London and Los Angeles, and produces trailers, television spots and online video for some of the world’s largest film studios.
Hare Krishna! The Mantra, The Movement and the Swami Who Started It All is a documentary film on the life of Srila Prabhupada—the 70-year-old Indian Swami who arrived in America without support or money in the turbulent 1960s and ignited a worldwide spiritual phenomenon with only his unflinching determination and faith. The film posted at AlphaDogs in Burbank. As with most historical documentaries, the biggest hurdle the team had to overcome were the technical challenges inherent in working with multiple source formats.