The Colonie recently teamed with Burrell Communications to provide editorial, VFX and design services for I Do, a commercial introducing the 2017 Toyota Corolla. The commercial opens with a young woman behind the wheel of her Toyota. She arrives at a city park and her friends help her yarn bomb the surroundings – from hand-knitted tree trunk covers to a slipcover for a loveseat and a garbage pail cozy in the likeness of whimsical character.
In a further strengthening of its Los Angeles production staff, FuseFX has added three veteran visual effects producers. They include Sean Tompkins, a two-time Emmy nominee who previously served as associate head of production at Zoic Studios. Also new to FuseFX are VFX producers Danielle Bemis and Miles DeLong.
For the third consecutive year Rodeo FX has won an Emmy Award for Outstanding Special Visual Effects on HBO’s Game of Thrones. The VFX studio won the award for its work on Battle of the Bastards, the ninth and perhaps most memorable episode in Season 6.
Autodesk has announced the Flame 2017 family extension 1 release for professional 3D visual effects, compositing and finishing. The update includes new 3D scene navigation features and enhancements, collaborative workflow enhancements for working with Autodesk and third-party 3D animation tools, a new way of working with multichannel render passes, render quality improvements, better color management and batch compositing enhancements including a new compass tool.
FuseFX, which has helped lead the resurgence of visual effects production in Los Angeles, has moved its headquarters to a 27,000 square foot facility on Califa Street in the Sherman Oaks area of Los Angeles. Comprising two contiguous free-standing structures, the new site can accommodate the company’s current 150-person Southern California staff, and features scores of visual effects workstations, four screening rooms, a 4K infrastructure, dedicated broadband connections to operations in New York and Vancouver, and room for further growth.
FuseFX, Vancouver, has hired VFX producers Chad Cortvriendt and Graeme Marshall both of whom bring lengthy experience in the Canadian visual effects industry and credits spanning television, features, advertising and other media. The two producers are working with teams creating visual effects for series such as Legion, Dark Matter and Zoo.
The Arc/k Project, a new nonprofit focused on digital preservation, has developed a unique plan for creating three-dimensional records of the world’s most endangered cultural assets while providing Hollywood filmmakers with a new and better way to incorporate exotic locations and artifacts into their productions. Employing the latest photogrammetric imaging technology, the Arc/k Project is constructing precise 3D models of landmarks and historically valuable objects, many of which are under imminent threat from terrorist activity, global warming, environmental degradation and other factors.
One of the most memorable episodes of season 6 of Game of Thrones was the Battle of the Bastards, in which Meereen is under attack by a huge fleet of ships firing flaming pitch at the city. It was also just a sample of the effects work that Rodeo FX did for the series. The studio created FX simulation of flaming cannonballs, shot from ships in the harbor and ripping holes in buildings while CG smoke and particles fill the air. The Dothraki Horde comes to the rescue, during which there is a CG decapitation. Daenerys climbs on Drogon, flies across the Meereen gates, and gets the dragon to breathe fire to destroy the ships.
For the finale of season six of HBO’s smash hit Game of Thrones, Rising Sun Pictures faced a formidable challenge: replicate the sprawling city of King’s Landing and its central shrine, the Great Sept of Baelor, then burn them to the ground in a magical, green-hued inferno. New to the Game of Thrones production team, RSP created visual effects for several episodes of the show’s recently concluded season. Most of the work centered on King’s Landing and the Sept as artists produced photo-realistic CG environments, set extensions and architectural enhancements that were blended with location footage to create the luxurious, walled city overlooking the sea.
Senior VFX supervisor Shawn Hillier has joined the creative team at the Vancouver office of FuseFX. Hillier arrives following a 15-year stint at Industrial Light & Magic, where he contributed to such blockbusters as Jurassic World, Pacific Rim, Star Trek, Transformers, Star Wars: Episode III - Revenge of the Sith and all three titles in the Pirates of the Caribbean franchise. In his new role, he will supervise visual effects production for television projects including the Syfy series The Magicians and Dark Matter.