Visual Effects

The Artistry of Jungle Book: Part 3

Wed, 03/01/2017 - 13:22 -- Nick Dager

Director Jon Favreau’s The Jungle Book won this year’s Oscar for Best Visual Effects. A Walt Disney Picture, the movie is unique because the only live action character, the boy Mowgli, was shot on bluescreen while everything else was computer-generated. The visual effects team included key talent from Technicolor and its subsidiary, the Moving Picture Company. In part three of our five-part series, Rob Legato lead VFX supervisor, and second unit director on The Jungle Book explains how creating a movie that was totally dependent on VFX demanded a completely different approach to production, and opened the door to a greatly expanded role for VFX in real-world movie-making.

The Artistry of Jungle Book: Part 2

Tue, 02/28/2017 - 11:38 -- Nick Dager

Director Jon Favreau’s The Jungle Book won this year’s Oscar for Best Visual Effects. A Walt Disney Picture, the movie is unique because the only live action character, the boy Mowgli, was shot on bluescreen while everything else was computer-generated. The visual effects team included key talent from Technicolor and its subsidiary, the Moving Picture Company. In part two of our five-part series, MPC chief technology officer Damien Fagnou describes some of challenges and complexities presented in producing this daunting artistic and technological undertaking.

The Artistry of Jungle Book: Part 1

Mon, 02/27/2017 - 13:33 -- Nick Dager

Director Jon Favreau’s The Jungle Book won this year’s Oscar for Best Visual Effects. A Walt Disney Picture, the movie is unique because the only live action character, the boy Mowgli, was shot on bluescreen while everything else was computer-generated. The visual effects team included key talent from Technicolor and its subsidiary, the Moving Picture Company. In part one of our five-part series, Adam Valdez, visual effects supervisor with MPC explains how teamwork, talent and a pursuit of excellence combined to create a movie that has been widely acclaimed for its artistic and technological accompaniments.

Hula Post Develops VR Workstation

Thu, 02/23/2017 - 09:24 -- Nick Dager

Hula Post, Hollywood, has developed an all-in-one workstation for virtual reality content creation. The workstation features stitching, stabilization, editorial, visual effects, titling, color correction, finishing and playback. It is available for lease on a short-term or long-term basis, and comes with the same 24/7/365 technical support and service that Hula provides for editing systems, media storage and networking projects.

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RodeoFX Contributed Arrival VFX Shots

Wed, 02/08/2017 - 12:42 -- Nick Dager

Montreal’s Rodeo FX completed 60 visual effects shots for Arrival, the alien visitation movie from acclaimed director Denis Villeneuve (Sicario, Prisoners, Enemy). Working once again with VFX supervisor Louis Morin, the studio helped create a gravity shift sequence, multiple aircrafts, digital doubles of actors and the scene when they entered the alien shift.

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Rising Sun Nominated for VES Award

Thu, 01/12/2017 - 12:10 -- Nick Dager

Rising Sun Pictures has been nominated for Outstanding Compositing in a Photoreal Feature in the Visual Effects Society’s 15th Annual VES Awards. The nomination comes for the studio’s work on the Quicksilver Extraction sequence from the 20th Century Fox film X-Men: Apocalypse. Nominees include Alana Newell and compositors Jess Burnheim, Andy Peel and Matthew Shaw.

Creative Director/Flame Artist Les Umberger Joins Nine Mile Circle

Tue, 12/06/2016 - 14:25 -- Nick Dager

Atlanta boutique post-production house Nine Mile Circle has added creative director, Flame artist and finishing editor Les Umberger to its creative team. Umberger is an Emmy Award-winning artist who brings experience with major brands and top agencies through past stints at West Coast shops Digital Domain and R!OT. His presence will allow Nine Mile to offer clients comprehensive post-production packages, encompassing creative editorial, color grading, visual effects, editorial finishing and sound at a level on par with companies in Los Angeles, New York and Chicago.

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