Visual Effects

AlphaDogs Completes Effects Work on Krieg

Wed, 05/02/2018 - 11:58 -- Nick Dager

AlphaDogs has completed work on the new WWII short film Krieg. Directed and produced by Jeff Fry, Krieg follows the journey of a Waffen-SS officer who chooses to do the right thing while serving on the wrong side of a world at war. His remorse for inaction in the face of murder compels him to risk all in order to protect a wounded enemy airman.

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Creating the Worlds of Ready Player One

Wed, 04/04/2018 - 11:41 -- Nick Dager

Steven Spielberg’s Ready Player One features two separate worlds. Each features very different realities and each required a different approach to filming. One depicts a fractured, dystopian future, while the other is filled with infinite possibilities. To help create this, Audiomotion, in collaboration with Digital Doman, relied on Vicon optical systems.

Blending Two Visual Looks into One

Thu, 03/22/2018 - 14:07 -- Nick Dager

VFX Legion recently created the visual effects for the highly anticipated crossover episodes of Scandal and How to Get Away with Murder. Legion has handled all of the visual effects for both shows for almost three-years. However, the crossover episodes required visual effects that blended with two series that use different tools and each have their own look, presenting a more complex set of challenges.

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Felix Fissel Joins VFXnow as VP of Global Operations

Mon, 03/05/2018 - 11:54 -- Nick Dager

GPL Technologies has hired Felix Fissel to lead its VFXnow unit as vice president of global operations. Fissel, an IT specialist with deep experience in the visual effects industry, will oversee VFXnow operations in Los Angeles, New York, and Vancouver. He will also lead business development and seek to expand markets for the unit, a hardware-as-a-service provider to visual effects studios, game developers, editing houses and other creative services companies.

Arri Media, Trixter to Partner on VFX and Animation

Thu, 02/08/2018 - 13:21 -- Nick Dager

Arri Media and Trixter have agreed on a strategic and operational collaboration in the fields of VFX and animation. In the future and across locations, both post-production companies will be offering all their visual effects and animation services together. In addition to the coordinated interfaces and optimal scalability, customers will now benefit from a much larger range of services.

Creating the Trash Mesa

Wed, 11/08/2017 - 11:07 -- Nick Dager

A crash landing, a bruised hero, a crowd about to swarm. For Montreal post house Framestore, Blade Runner 2049’s thrilling Trash Mesa attack sequence had all the elements of a classic set piece, it only needed its band of scavengers. With two days to prep, Framestore turned to Vicon motion capture products and a live link that helped two production teams make crucial decisions, five time zones away.

Thor Turns to Rising Sun

Tue, 11/07/2017 - 10:40 -- Nick Dager

Australian visual effects studio Rising Sun Pictures produced more than 170 final visual effects shots for Thor: Ragnarok¸ the new film from Marvel Studios. Working under the supervision of director Taika Waititi, production visual effects supervisor Jake Morrison and production visual effects producer Cyndi Ochs, RSP’s team spent more than 18 months helping to craft some of the film’s most memorable, creative and technically challenging scenes. It was RSP’s first project for Marvel.

A Riot of Color

Wed, 10/04/2017 - 12:30 -- Nick Dager

MTI Film colorist provided final post services for three new videos directed by Phillip R. Lopez, including a release from Russian punk band Pussy Riot with the provocative title Straight Outta Vagina. In finalizing the look of the videos, colorist Alex Chernoff collaborated directly with Lopez who’s been garnering a lot of attention for his visually stunning short films and music videos.

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