Shin Kong Cinemas, a member of the Shin Kong Group, one of Taiwan’s leading financial, retail, and entertainment groups has selected Arts Alliance Media’s Screenwriter Theatre Management System to provide automated scheduling and content management for every screen in SKC’s estate across Taiwan. The deal marks AAM’s first entry into the Taiwan market.
Theater Management Systems
Cinemark is installing Unique X software across all of the 4,566 screens in its U.S. enterprise. This includes Unique X’s RosettaBridge Theatre Management System, RosettaNet eTMS network management system and Smart Trailering, the centralized trailer scheduling and delivery system.
Deluxe has launched the Content & Key Manager to replace their existing Cinema Portal platform. The Content & Key Manager has been integrated as a service within Deluxe One – the company's flagship cloud-based platform that unifies each stage of the content supply chain, creating an end-to-end ability to manage assets and requirements from creation to delivery.
Éclair today announced the successful deployment of ÉclairBox content delivery in Denmark through Nordisk Film. The company credited Divo Post Production with supporting the delivery. Plans to further expand theatrical services across Scandinavia have been finalized. The announcement was made during the 2018 edition of the Norwegian International Film Festival Haugesund.
Cineplex, one of Canada’s largest entertainment and media companies, has announced that it will install Unique X theatre management system software across its enterprise. The agreement continues Unique X’s expansion into the North American cinema market.
Vox Cinemas, one of the Middle East’s most innovative cinema exhibitors, is installing a range of Unique X technology including RosettaBridge TMS, RosettaNet eTMS, BaseKey KDM Manager and Cielo network monitoring.
Arts Alliance Media first opened its doors in London June 17, 2003. In those very early days of digital cinema, the new company and its ten employees carved out a space in technology and what was then called alternative content. The company divested itself of the alternative content business a few years ago to focus on what has long been its core strength: cinema technology. AAM launched its first theatre management system in 2007 and, in 2008, completed the first virtual print fee rollout in Europe with French chain CGR. Today AAM has more than 140 employees spread over three offices in London, Amsterdam, and Guangzhou, China. I recently spoke via email with AAM’s chief executive officer Patrick Foley, and chief technology officer Richard Phillips about those early days of the company and, more importantly, to get their thoughts about the future of digital cinema technology.
Unique X has named Roger Harris chief executive officer. Harris will start his position with Unique X on the October 1 after the successful transition of his responsibilities as managing director for RealD in EMEA and Russia. His role is to direct and oversee the rapid international expansion of Unique X’s portfolio of digital cinema software systems and services.
Éclair has announced plans to convert the Italian cinema circuit Ciné Gionate di Cinema with EclairBox systems through its Italian branch, OpenSky Cinema. The announcement was made in Riccione at the Ciné Giornate di Cinema 2018, the official convention of cinema exhibitors (ANEC and ANEM).
One of the biggest exhibition news stories of 2018 was the return of cinemas to the Kingdom of Saudi Arabia after a 35-year ban. Vista Entertainment supported AMC Entertainment and the Development & Investment Entertainment, a subsidiary of Saudi Arabia's Public Investment Fund, tin their efforts to open the country’s first commercial cinema this past April.