Support Equipment

Going Where the Action Is

Mon, 06/16/2014 - 11:56 -- Nick Dager

Freddie Wong, co-creator and director of Video Game High School, says his show, an online comedy web series is defined by a lot of action sequences. Now shooting season three, Wong recently discovered Freefly Systems’ MōVI M10 handheld camera stabilizer. “The MōVI M10 allowed complete and unrestricted freedom with regard to camera movement,” he says.

X-Men: Days Of Future Past Relied on Codex

Tue, 06/03/2014 - 14:55 -- Nick Dager

Codex recording and workflow technology was used at the heart of the production to post pipeline on 20th Century Fox’s latest superhero movie X-Men: Days Of Future Past. A combination of Codex Onboard Recorders, in-camera XR recording, and Vault systems, enabled the filmmakers to deploy a variety of Arri Alexa cameras, shooting both native 3D and 2D using ArriRaw, and to maximize image quality on-set and during post-production.

The Americans Wraps Season Two

Thu, 05/22/2014 - 16:20 -- Nick Dager

Every production relies heavily on its support equipment. The camera crew behind the hit FX TV series The Americans, which just ended its second season, understands this very well. The show’s cinematographer Richard Rutkowski, and camera assistants Brendan K. Russell and Rory Hanrahan, rely on Anton/Bauer batteries and chargers, Litepanels LED lights, and OConnor fluid heads and tripods for their reliability and durability during stage and location shoots, which helps keep the show on pace and on budget.

Manios Digital & Film to Showcase New Battery, Other Products at Cine Gear

Tue, 05/13/2014 - 12:33 -- Nick Dager

Manios Digital & Film will showcase new products from Cartoni, Kinotehnik, PAG and Vocas at Cine Gear, June 4-7 at The Studios at Paramount in Hollywood. Included among several products not previously seen on the West Coast will be PAG’s new Gold Mount (3-Stud Snap-On) compatible, high-current, PAGlink battery, a replacement for all Anton/Bauer Li-Ion batteries. The new battery, which made it onto several “Best of” lists at NAB, is compatible with Gold Mount camera plates and Anton/Bauer Li-Ion chargers, and can be can be linked to create a high-capacity Li-Ion power source on location.

The Dawn of Native 3D

Mon, 05/12/2014 - 13:08 -- Debra Kaufman

The 2011 Rise of the Planet of the Apes unleashed a cross-species thriller and, on July 11, the sequel, Dawn of the Planet of the Apes, directed by Matt Reeves and shot by cinematographer Michael Seresin will debut in U.S. theatres. Although most 3D movies currently are shot in 2D and converted to 3D in post-production, this movie was shot in native 3D. Seresin, who also shot a significant portion of Gravity, faced his first experience shooting native 3D. Although he doesn’t consider himself a “technical cinematographer,” Seresin felt confident. “Lighting, composition, and camera moves is what I like,” he says.

Culprit Shoots Breakout Korn Video

Mon, 05/05/2014 - 11:35 -- Nick Dager

When cinematographer Colt Seman and colleagues, Dylan Trussell and David Dinetz of Culprit Creative were charged with creating the music video for Korn’s Spike in My Veins, they decided to go beyond the expected. For the edgy video, they deployed the new Bolt Cinebot high speed robotic camera arm, the 1000fps, high-definition Phantom Miro camera; and Schneider-Kreuznach Cine-Xenar III prime lenses.

Pages

Subscribe to Support Equipment