As the trend toward boothless cinemas grows, Arttech Cinema has introduced the Tibex T/WS projector lift, the only product of its kind on the market with a turntable, which enables easy access to the projector from every side for service and repairs.
The Society of Camera Operators has named DJI’s Ronin 2 as this year’s recipient of its Technical Achievement Award. The award is given to a manufacturer or technology that has demonstrated superior engineering, advancement of camera operation, and substantial facilitation of the craft. This year’s recipient is DJI’s Ronin 2.
Manios Digital & Film has appointed Tom O’Neill to direct Eastern Regional Sales. O’Neill will manage sales and dealer relationships in an area including New England, Mid Atlantic, South East and Midwest states. He will also represent the company at trade shows and other industry events in the region.
Keslow Camera announced today that it is acquiring Clairmont Camera and its Vancouver and Toronto operations. The move will more than quadruple Keslow Camera’s anamorphic and vintage lens inventory, and add a substantial range of custom camera equipment to the company’s extensive portfolio. Simultaneously, Clairmont founder Denny Clairmont, one of the industry’s most respected talents in front and behind the camera, announced his retirement. The acquisition is expected to be complete on or before August 4.
Sachtler today introduced the Ace XL 75 mm fluid head. An upgrade of Sachtler's Ace L, the Ace XL offers an increase of 2 kilograms of maximum payload capacity over the previous model — making it ideal for use with the latest cine-style cameras such as Blackmagic Design's URSA Mini Pro.
Filming big cats in Kenya isn’t easy. Unlike actors, these magnificent animals don’t follow cues or take direction. Catching, focusing and framing your shots is paramount. You really need to see what’s going on. That’s why ACS 2017 Australian Cinematographer of the Year Abraham Joffe turned to the Atomos Shogun monitor recorders with their daylight-viewable high brightness screens for his latest project. Every Flame and Inferno series recorder has a seven-inch display with an incredible 1500 nits of brightness. “When we are out here in the African bush we are often in pretty strong light. Even without a hood I can see what’s going on on the screen,” Joffe said. “Atomos is the best screen on the market in my opinion and it’s a piece of kit that would stay in my bag wherever I go around the world.”
SmallHD has introduced its first OLED monitor, the 702-OLED. The 7.7-inch screen combines the renowned color accuracy and contrast ratio of an OLED display, with the feature set of the industry standard SmallHD 702-Bright so that it is ideal on camera or on a director’s rig. Able to produce wide color gamut color accuracy, it is an effective tool for DITs and directors on-set use.
The upcoming feature film Maine follows the journey of a married woman from Spain to reclaim her identity while solo thru-hiking the Appalachian Trail, a trip that is sidetracked when a lone American hiker pursues her. Cinematographer Donald R. Monroe said, “Simply getting to our locations proved a major hurdle. Frequently, each day began by transporting the entire production over a mile via ATVs; then the shooting crew would walk an additional ten minutes to the location. We were often far from battery charging and data transfer stations— the high-capacity P2 cards allowed us to be largely self-sufficient.
When Gavin Struthers ASC, one of Britain's leading cinematographers, learned he’d been selected to shoot the U.S. television drama series Black Sails, he knew there would be a lot of challenging location work including water scenes and day-for-night scenes. Black Sails is set roughly two decades before the events of Treasure Island and during the Golden Age of Piracy.
Jay Hunter is a celebrated director and cinematographer whose work runs the gamut from features and scripted series to documentaries and reality TV. He’s crafted unique aesthetics for television shows such as On the Lot and films including Joss Whedon’s Much Ado About Nothing. Hunter’s current project is the NBC comedy Superstore, about the employees of a big box retailer. For that series, he tries to make viewers feel like they’re part of the action through a visual style that looks handheld, but is not.