Blending Two Visual Looks into One

Thu, 03/22/2018 - 14:07 -- Nick Dager

VFX Legion recently created the visual effects for the highly anticipated crossover episodes of Scandal and How to Get Away with Murder. Legion has handled all of the visual effects for both shows for almost three-years. However, the crossover episodes required visual effects that blended with two series that use different tools and each have their own look, presenting a more complex set of challenges.


Alchimie, Unified Streaming Extend Partnership

Tue, 01/30/2018 - 12:19 -- Nick Dager

Digital distribution company Alchimie is extending its partnership with Unified Streaming. Alchimie, headquartered just outside Paris, advises rights owners who are dealing with companies such as Google, Amazon, Apple, Samsung, and Orange to name a few. Unified Streaming has worked with Alchimie since 2015. By installing their web-server plug-in Unified Origin, Alchimie says it has been able to offer stable, scalable live and on-demand streaming to all its partners, who, in turn, can unfailingly satisfy their customers as the final users

Doc Asks: Are We Alone?

Tue, 10/10/2017 - 12:56 -- Nick Dager

Are we alone in the universe is a question that human beings have pondered likely since the dawn of time. The new documentary film ET Contact: They Are Here documents the jaw-dropping stories of individuals from around the world who share similar accounts of extraterrestrial otherworldly encounters. Written, directed and produced by Caroline Cory, the film takes viewers on an extraordinary journey to uncover whether these seemingly independent yet parallel reports may actually be scientific evidence of a greater phenomenon at work.

Following The Deuce HDR Workflow

Wed, 09/27/2017 - 13:46 -- Nick Dager

The Deuce, the new drama from HBO and executive producers David Simon and George Pelecanos, is set in 1970s New York City where prostitution and crime were rampant, and the modern adult entertainment industry was just coming into its own. Bold, brash and visually intoxicating, the series finished natively in high dynamic range at Technicolor PostWorks New York. To grade the project, colorist Sam Daley collaborated with director of photography Vanja Černjul.

The Fight for Cinema Dollars

Thu, 07/06/2017 - 13:14 -- Nick Dager

Morgan Stanley analyst Benjamin Swinburne issued a report this week in which he argues that the big studios should get serious about premium on-demand video and suggests that Hollywood release feature films to the home while they’re still showing in movie theatres.

Raising the Stakes

Thu, 06/29/2017 - 12:52 -- Nick Dager

Netflix this week committed to streaming its movies in both Dolby Atmos and Dolby Vision high-dynamic range formats. It is the first global on-demand service to commit to combining both formats. Okja, the critically praised Netflix Original Film, is the first film available in both formats. Additional Dolby-supported titles are coming soon, and the catalog will continue to grow. Okja will be released to select movie theatres this week as well. Netflix has raised the stakes again.

SMPTE New York Considers Production Options for HDR and WCG

Wed, 05/31/2017 - 15:23 -- Nick Dager

The June meeting of the Society of Motion Picture and Television Engineers, New York region, will be devoted to discussions surrounding two essential topics facing the video industry today – the 2110 SMPTE production standard for video-over-IP and how to optimize video signals for wide color gamut and high dynamic range formats.


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