In ever increasing numbers, exhibitors around the world are making the transition to laser projection. In response to that, at CinemaCon 2017 Barco will unveil the DP4K-40LHC and 20LHC RGB Flagship, 6P 3D single chassis, integrated high contrast projectors to the American audience. But nowhere in the new projectors’ specs will you find the term high dynamic range, which, given their capabilities seems like an oversight. Barco has a specific explanation for this, namely that it believes the exhibition world needs an HDR standard.
The Society of Motion Picture and Television Engineers today announced final approval of its nomination of Andy Maltz as 2018-2020 chair of ISO/TC 36, the International Organization for Standardization group dedicated to cinematography. Maltz, who is managing director of the Academy of Motion Picture Arts and Sciences' Science and Technology Council, will serve as chair-elect in 2017 as SMPTE member Julian Pinn, the current chair, serves out his term after nine years in the ro
The Society of Motion Picture and Television Engineers will host a series of Time Code Summits to gather feedback that will contribute to the creation of a new Time Label standard. As the next-generation standard to SMPTE Time Code, widely viewed as one of the most important standards in the audio/video industry, the new Time Label standard will address the continuing, new, and emerging requirements of handling media across the cinema, broadcast, theatrical, music recording, concert, live entertainment, and theme park markets.
Classic Cinemas’ Classic Charlestown theatre in St Charles, Illinois recently enlarged its auditorium one screen by 126 percent and now delivers images over 53-feet across in a wall-to-wall scope presentation. CineActive Solutions was hired to ensure the screen met DCI-specified light levels.