Visual Data Media Services, which provides digital supply chain services to global content owners and distributors, has acquired London-based MX1 UK Limited, which offers content preparation services to leading broadcasters and content owners as a part of SES, the world’s leading satellite operator and managed service provider.
CinemaNext is relocating its UK offices to a new, high-tech facility in the west London town of Uxbridge. The result is an optimized and fully secure hub to support CinemaNext’s fast-growing activities in the United Kingdom and Ireland.
Event cinema distributor Trafalgar Releasing announced plans today to provide immediate funding to U.S. cinema operators for the deployment of equipment that will significantly expand live event capabilities in domestic cinemas and offer open access to content owners with live event offerings.
The Digital Cinema Distribution Coalition is marking its fourth year of operations with the promotions of three executives amid rapid exhibitor and content provider growth.
Satellite distribution company Digital Cinema Distribution Coalition now reaches more than 30,000 theater screens in the United States in the more than 2,650 theatre sites belonging to the 179 exhibitors it has under contract.
Ymagis Group today announced the conclusion of its acquisition of OpenSky’s theatrical content delivery activities dedicated to cinema exhibition, OpenSky Cinema, in accordance with the agreement signed November 30, 2016. All related business assets have been incorporated into a new entity named Open Sky Cinema SRL (Vicenza), which oversees the Ymagis Group’s portfolio of content services activities in Italy.
Ymagis Group today announced an agreement with Vicenza-based Open Sky SRL for the acquisition Open Sky Cinema, its theatrical content delivery activities dedicated to cinema exhibition.
In one of the biggest deals in the emerging digital cinema business, the Ymagis Group has acquired Eutelsat’s 50.2 percent stake in DSAT Cinema and now, effectively, controls the company.
Digital cinema electronic distribution in the Latin American region is rapidly reaching theatres, delivering studio and independent movies as well as live alternative content. Out of the estimated 12,000 screens in the region (some 2,200 theatres), electronic distribution has been growing to reach more than 6,000 screens. Mexico is the main contributor to the number, as Cinepolis and Cinemex account for more than 5,500 of those screens.
Two years ago this month, a new organization – the Digital Cinema Distribution Coalition – launched what was then billed as “the industry’s first-ever digital theatrical delivery service.” With the launch, DCDC began servicing its founding companies by transporting feature films and other content via satellite across the United States. That DCDC was not the first to do this was beside the point. DCDC had the backing and the blessing of those founding members: Warner Bros. Entertainment, Universal Pictures, Regal Entertainment Group, Cinemark Theatres and AMC Theatres. Today, DCDC has a virtual lock on its market, but questions remain regarding its long-range potential.