Production & Post-Production

Shooting Instrument of War

Wed, 11/08/2017 - 11:20 -- Nick Dager

Instrument of War is a period piece based on the true story of Clair Cline, a US Army Air Forces pilot shot down over occupied Holland during World War II and held at the German Stalag Luft 1 POW camp, and The Prison Camp Violin he made from materials found in the camp and by trading Red Cross cigarettes for a bow. “We shot in Lithuania for the authenticity of the architecture, and built the POW camp around existing buildings to enhance the film’s production value,” said cinematographer Wes Johnson. With the authentic look of their sets, and a strong U.S. dollar, Instrument of War looks like it was shot for several times its actual production cost.

Creating the Trash Mesa

Wed, 11/08/2017 - 11:07 -- Nick Dager

A crash landing, a bruised hero, a crowd about to swarm. For Montreal post house Framestore, Blade Runner 2049’s thrilling Trash Mesa attack sequence had all the elements of a classic set piece, it only needed its band of scavengers. With two days to prep, Framestore turned to Vicon motion capture products and a live link that helped two production teams make crucial decisions, five time zones away.

AFI Tech Showcase to be held November 11-14

Wed, 11/08/2017 - 10:58 -- Nick Dager

The American Film Institute’s Tech Showcase for AFI Fest 2017 will include a selection of 360-degree, virtual reality, augmented reality and immersive short film experiences representing a cross-section of what's currently possible in this new cinematic medium. The showcase will be on display November 11–14 at The Hollywood Roosevelt, in the Academy Room and Johnny Grant Suite.

Thor Turns to Rising Sun

Tue, 11/07/2017 - 10:40 -- Nick Dager

Australian visual effects studio Rising Sun Pictures produced more than 170 final visual effects shots for Thor: Ragnarok¸ the new film from Marvel Studios. Working under the supervision of director Taika Waititi, production visual effects supervisor Jake Morrison and production visual effects producer Cyndi Ochs, RSP’s team spent more than 18 months helping to craft some of the film’s most memorable, creative and technically challenging scenes. It was RSP’s first project for Marvel.

Deluxe Upgrades OTT Capabilities

Fri, 11/03/2017 - 13:56 -- Nick Dager

Deluxe announced today that it has strengthened its suite of managed services from Deluxe Distribution with new over the top capabilities by adding Smart Video Engine to the video supply chain technology stack built by Deluxe Technologies. This new OTT platform gives Deluxe a game changing, unified end-to-end solution that removes the complexity and burdensome cost of managing multiple vendors and integrations across the video supply chain. With this platform, Deluxe Distribution is a global “one stop shop” for clients looking for solutions that simplify the growing challenges and complexities of content management and distribution.

Zero Weeks Premieres at DOC NYC

Thu, 11/02/2017 - 08:33 -- Nick Dager

The United States is the only country in the developed world that does not guarantee its citizens paid family leave. In the new documentary Zero Weeks, which premieres November 11 at DOC NYC in New York City, director Ky Dickens explores the impact of that policy on families dealing with the birth of a child, a medical crisis or an aging parent. For many Americans, especially those with low incomes, it comes down to a choice between keeping a job and caring for someone they love.

Renegade Animation Promotes Brittney Jorgensen

Wed, 11/01/2017 - 11:25 -- Nick Dager

Continuing to grow its original programming unit, Renegade Animation has promoted Brittney Jorgensen to the newly created post of head of marketing and development. Jorgensen will work with creators, writers and animators in developing concepts for animated television series and features, and serve as the studio’s chief liaison with studios, broadcasters and streaming services.

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