OwnZones Entertainment Technologies has released three new features to its OwnZones Connect platform to support customers and optimize user experience. The new features, which include: Deep Analysis, Task Management, and Search Service, help Connect users efficiently organize, manage, and deliver content as well as collaborate better via the cloud while working remotely.
Called “one of the most prescient films of the decade,” She Dies Tomorrow from Neon and writer/director Amy Seimetz, centers on a woman who believes she is about to die from a mysterious illness that is also highly contagious. The psychological thriller, which recently went through sound and picture finishing at Goldcrest Post in New York, delves into universal feelings of anxiety and dread through a story that blends horror, humor, drama and the surreal. Seimetz used sound to convey the feeling of fear.
Platforms for the distribution of film and TV content are endlessly multiplying and changing in nature. In parallel, the application of copyright rules attached to audiovisual works and their exploitation along the value chain are becoming increasingly complex. Obtaining rights from the rights holders involved in a given project and, in some cases, acquiring licenses for the use of pre-existing works, is an essential aspect of the work of film producers and marks an indispensable preliminary step before they can grant licenses for the exploitation of the work to the various exploitation channels.
NASA’s Mars 2020 Rover Perseverance, which launched last week, is scheduled to touch down on the Red Planet next February. When it lands, the spacecraft will have the capability to capture imagery and sound as the vehicle descends through the Martian atmosphere and lands on the surface of Mars. To capture sounds from the Red Planet for the first time ever, the Mars 2020 Rover will be outfitted with equipment from DPA Microphones.
SmallHD has introduced the OLED 22 4K production monitor. “DITs, DPs, and colorists have been waiting for what feels like forever to replace their ancient HD OLED monitors,” said Greg Smokler, Creative Solutions vice president of product. “That’s why we spent over 2 years building OLED 22, the first lightweight 4K OLED production monitor equipped with a feature set that finally enables critical monitoring of 4K images, both on set and in the color suite.
The MetFilm School has launched the Dan Demissie Voices That Matter scholarship, which is designed to support the next generation of black filmmakers, recognizing the importance of accessibility and equality within the screen industry. Film producer Dan Demissie died last July at the age of 37.
Though the numbers are certainly on an upward trend, it’s still rare to find women in professional audio, especially one as prominent as Sara Glaser, CAS. Having gotten her start in the industry in college as a recording engineer nearly 20 years ago, Glaser’s major successes can be found in her work as a production sound mixer for feature films and episodic television. Some of her most recent credits include Westworld, Grey’s Anatomy, Feud: Bette and Joan and the Netflix feature film, Rim of the World.
While Major League Baseball fans won’t be going to the ballpark this year, Bud Light is bringing a bit of the ballpark to them. A new broadcast and social advertising campaign, produced by Story and directed by Ron Lazzeretti for FCB, Chicago, pays tribute to one of baseball’s most revered characters: the beer man.
The Liaison of Independent Filmmakers of Toronto will host an online product demonstration titled Media Accessibility, Creative Captioning and Subtitling. The demonstration will cover the SubtitleNext software Profuz Digital. The online event takes place via Zoom on Wednesday August 5 at 4:00 p.m. EDT, with American Sign Language provided throughout the presentation.
On July 14, Made In Her Image, Panavision, Light Iron and Lee Filters presented the virtual roundtable discussion “Through Her Lens: Creating a Truly Inclusive Film Industry.” Moderated by Made In Her Image founder Malakai and featuring cinematographers Mia Cioffi Henry, Melinda James, Kira Kelly, Cybel Martin, Keitumetse Mokhonwana and Sade Ndya, the conversation addressed inequities within the motion-picture industry through the lens of women of color behind the camera.
