Deluxe Entertainment Services Group has announced that Skip Kimball has joined leading color grading and post house EFilm as senior colorist. Kimball brings to the company more than 30 years of experience spanning features, television, music videos, and commercials.
Production & Post-Production
Steven Spielberg’s Ready Player One features two separate worlds. Each features very different realities and each required a different approach to filming. One depicts a fractured, dystopian future, while the other is filled with infinite possibilities. To help create this, Audiomotion, in collaboration with Digital Doman, relied on Vicon optical systems.
FilmLight has introduced BLG for Flame as the latest product in the Baselight Editions range. BLG for Flame is a Linux-only plugin for Autodesk Flame that applies a Baselight grade automatically, either from Baselight Linked Grade files or directly from a Baselight scene.
Chris Buchanan, Samsung’s director, business development, cinema screen, will give the keynote address at the Society of Motion Picture and Television Engineers Future of Cinema Conference April 8 at the Las Vegas Convention Center in Las Vegas, Nevada. The event is co-sponsored by the National Association of Broadcasters and is part of their annual convention.
Post-production finishing for Prospect, the acclaimed feature debut from directors Zeek Earl and Christopher Caldwell, was completed at Umedia in Vancouver. The film, which is co-produced by Depth of Field, The Realm and Ground Control and had its world premiere this month at SXSW, has drawn rave reviews for its genre-bending tale of a teenage girl and her father who travel to a remote, toxic planet in search of riches.
VFX Legion recently created the visual effects for the highly anticipated crossover episodes of Scandal and How to Get Away with Murder. Legion has handled all of the visual effects for both shows for almost three-years. However, the crossover episodes required visual effects that blended with two series that use different tools and each have their own look, presenting a more complex set of challenges.
The Women’s Film Preservation Fund, a project of New York Women in Film & Television, is accepting submissions for its film Preservation grants for this year. This is not a production grant. The deadline is June 15.
Ymagis Group today reported its full-year earnings for the 2017 fiscal year December 31. In 2017, saying the group demonstrated its ability to offset the decline in its virtual print fee activities (revenue -11.5 percent at €61.5 million) by the growth of its service activities (+9.0 percent at €118.1 million). The group’s business thus rose slightly by +0.8 percent to €179.2 million. Driven by the full-year integration of acquisitions made in 2016 and by the implementation of the growth strategy based on its services activities, the Eclair and CinemaNext business units saw their revenue increase respectively by +15.4 percent and +3.4 percent at €54.8 million and €63.3 million.
Post-production creative services provider Light Iron, a member of the Panavision family of companies, has opened a new facility in Atlanta to locally support the robust Georgia production community. The expansion is the fourth since Panavision acquired Light Iron in 2015, bringing Light Iron’s U.S. locations to six total, including Los Angeles, New York, New Orleans, Albuquerque and Chicago.
Over the past 10 years, technology has brought people together more than ever, while at the same time creating a huge disconnect in personal relationships. In his new documentary Beyond Transport, directed and produced by first time filmmaker Ched Lohr, this topic is examined from the unique perspective of cab drivers. Shot on all seven continents of the world, the film includes interviews with drivers who share their accounts of how socializing has changed dramatically in the 21st Century.