Earlier this week Éclair and Samsung held a ribbon cutting ceremony to officially open Éclair’s Paris-Vanves Onyx Cinema LED facility, the first of its kind in Europe. Éclair can now provide professional services specifically tailored for the Onyx Cinema LED – contrast ratio of 1,000,000:1, color grading with true zero nit black, and ÉclairColor DCP mastering – to European filmmakers, producers and distributors.
Production & Post-Production
Technical PostWorks vice president of creative services Ben Murray will moderate a panel discussion on preparing films for distribution at next week’s Doc NYC Pro Conference, held in conjunction with the Doc NYC film festival. Murray will be joined by John Campbell, a partner and head of management at Buffalo 8; producer/director Blair Foster of Jigsaw Productions, and filmmaker Alysa Nahmias, founder of Ajna Films.
Supervising sound editors/re-recording mixers Steve Giammaria and Evan Benjamin from Sound Lounge’s Film + Television division will share their insights into documentary sound at the Doc NYC Pro Conference, held in conjunction with the Doc NYC film festival.
In a tour de force effort, boutique visual effects studio Mod teamed with director Dave Meyers for Sicko Mode, the trippy, new music video from artist Travis Scott, featuring Drake.
The Society of Camera Operators will present Lifetime Achievement Awards to Governors Award recipient, Jane Fonda and President’s Award recipient, Harrison Ford on January 26, 2019 at the Lowes Hollywood hotel. The society is presenting the Lifetime Achievement awards for their extraordinary body of work and collaboration and commitment to the art and craft of camera operating.
Isaac Molina is a senior colorist based in Mexico City, where for the last nine years he has worked at leading post house Oxido. Molina has a rich tapestry of grading experience that includes TV commercials and, as the colorist and DI supervisor, with the grade of more than 30 feature films. More recently, he has worked as a colorist in the first Latin American high dynamic range TV series for Netflix. Digital Cinema Report recently spoke with Molina about his career, the art and craft of color grading and his work on The House of Flowers.
Jonathan Wales, mixing at Formosa NoHo, recently completed the audio mix for the Netflix series, The Haunting of Hill House. The Haunting of Hill House was mixed in Dolby Atmos. For the show, Wales needed to convey the feeling of spaciousness in the house and create unnerving suspense throughout the mix as a family relives their scary past.
The sixth and final Emmy award winning series of The Americans, a period spy thriller set in the 1980s during the Cold War, was recently finished in high dynamic range and 4K Ultra HD at Technicolor PostWorks in New York. Since series two, the look of the finished series has been the responsibility of John Crowley, Senior Digital Colorist, working on the Baselight color grading system from FilmLight.
Ymagis Group today reported its consolidated revenue for Q3 and for the first nine months of 2018. The lower than expected performance of CinemaNext’s equipment distribution activities and increased difficulties with Eclair's post-production and restoration activities are not sufficient to offset the decline in virtual print fee activity over the third quarter of 2018.
Post-production house Light Iron, a Panavision company, has hired senior colorist Nicholas Hasson. He will be based in the company’s Los Angeles facility.