Light Iron, a Panavision company, has announced that Jeremy Sawyer is returning to its Los Angeles facility as a senior colorist. Sawyer brings more than 20 years of color finishing experience to his role. He joins Light Iron’s talent roster as the facility manages a growing list of feature and episodic projects.
Domenic Rom, a longtime fixture of New York’s post-production industry, has joined Goldcrest Post as managing director. Rom will oversee operations, drive sales and pursue growth strategies for Goldcrest, one of the largest independent providers of post services for film and television on the East Coast. He previously served as president and general manager of Deluxe TV Post Production Services.
Alkemy X has hired Rebecca Manning as compositing supervisor for its visual effects division. Manning brings 16 years of experience and more than 40 major feature film and television credits, including Ghostbusters, The Jungle Book, X-Men: Days of Future Past and Avatar. Manning will be based out of Alkemy X’s New York studio and will lead its compositing team on projects including the television series The Marvelous Mrs. Maisel, Fear of the Walking Dead, Mr. Mercedes and Blindspot.
The International Cinema Technology Association has named Ellis Jacob, president and chief executive officer of Cineplex, the recipient of the Global Cinema Innovation Award. The award will be presented to Jacob at ICTA’s awards ceremony at Puro Beach, Hilton Diagonal, June 16 in Barcelona the day before CineEurope begins.
A coalition of leading trade and professional groups has formed a non-profit organization to provide mentoring services to young people seeking behind-the-scenes careers in the media and entertainment industry. The Entertainment Industry Professionals Mentoring Alliance, or EIPMA, plans to nurture the industry’s next generation of talent by offering expert guidance to high school and college students, military veterans and others seeking to launch their careers, and by hosting job fairs, panel discussions and other public events.
Post facility Goldcrest Post is expanding its footprint in independent film and documentary finishing through key additions to its creative roster. The company has forged a partnership with Glue Edit, the finishing boutique led by colorist and Emmy award-winning editor Ken Sirulnick. Sirulnick, along with his long-time post-production coordinator Jordan Thompson-DeSon, will take up residence at Goldcrest. Additionally, Goldcrest has signed freelance colorist/editor Evan Anthony, whose credits include Sundance Grand Jury Prize nominee Moonlight Sonata, to a staff position.
Last July the Event Cinema Association announced that Grainne Peat would be its new managing director, replacing founder Melissa Cogavin who left to pursue other opportunities. Cogavin, who established the ECA in 2012 left behind an internationally recognized brand and the primary trade body for the alternative content sector. By all accounts, she left the ECA in good hands. Since taking the reins officially last October, Peat has quietly put her own stamp on things.
Christie has appointed Kanwal Brar to be sales director – Cinema (India) for Christie Digital Systems India, reporting to Don Shaw, senior director of sales – Digital Cinema, Asia Pacific Region.
The Supervisory Board of the Arri Group, at its meeting yesterday, decided to appoint a new member to its executive board of the Arri Group which currently consists of Dr. Joerg Pohlman and Dr. Michael Neuhaeuser. Effective April 1 Markus Zeiler, until now head of the business unit lighting at Arri, will join them on the board. His new area of responsibility within the board will be the management of Arri’s global rental business.
Supervising sound editors Becky Sullivan and Andrew DeCristofaro, who share a 2015 Academy Award nomination for their work on Unbroken, have joined Sony Pictures Post Production Services. The pair has collaborated on numerous films over the years, including this year’s Best Picture Academy Award winner Green Book, with DeCristofaro as supervising sound editor and Sullivan as automated dialogue replacement supervisor. Sony Pictures is building theater-style studios with sound design and mixing capabilities for the two sound artists on the studio lot.