Passengers, from director Morten Tyldum and Sony Pictures Entertainment, is a futuristic love story set on a mammoth spaceship carrying thousands of passengers, kept in sleep chambers, to a distant planet. For the sound team, based at Sony Pictures Post Production Services, and led by supervising sound editor/sound designer/re-recording mixer Will Files and re-recording mixer Kevin O’Connell, the space epic presented the interesting challenge of imagining the sound of the future.
The drama series Westworld, which just completed its first season on HBO, is described as a dark odyssey about the dawn of artificial consciousness and the evolution of sin, exploring a world in which every human appetite, no matter how noble or depraved, can be indulged. One challenge for the producers was imagining how that world sounds.
One of the most distinctive aspects of writer-director Kenneth Lonergan’s new drama Manchester by the Sea is the quality of its sound design. “Making a quiet movie is hard, because, as a sound designer, you want to infuse every scene with something more than dialogue,” said supervising sound editor/re-recording mixer Jacob Ribicoff. “But you have to resist that temptation and keep it quiet and let the performances speak for themselves.”
Supervising sound editor and sound designer Harry Cohen, will be honored by the Motion Picture Sound Editors association with its 2017 Career Achievement Award. An 18-time MPSE Golden Reel Award nominee, Cohen has contributed to more than 150 movies and television shows.
The startup audio technology company Soundly, today released its product with the same name, Soundly, a cloud-based sound effects library and workflow tool. The company says that Soundly represents a completely new approach to sound effects access and editing. Available immediately from http://getsoundly.com for Mac or PC, Soundly is free to download and includes access to 300 sounds.
Dolby Laboratories today announced the company has exceeded major milestones, including the installation of 2,000 Dolby Atmos enabled cinema screens and the release of 500 movie titles mixed in Dolby Atmos. Since debuting in 2012 with Disney•Pixar’s Brave, Dolby Atmos has paved a new course for creative storytelling, transforming the ways in which audiences worldwide experience sound.
The Motion Picture Sound Editors will honor Guillermo del Toro with its annual Filmmaker Award. The acclaimed director of such films as Hellboy (2004), Pan’s Labyrinth (2006), Pacific Rim (2013), Crimson Peak (2015) and the forthcoming The Shape of Water is being recognized for his outstanding contributions to the art of cinema. He will receive the award at the MPSE Golden Reel Awards ceremony February 19 in Los Angeles.
Community-based, sound effects online marketplace A Sound Effect is giving more than one thousand high quality sound effects away as an early Christmas present to content creators.
Acclaimed sound designer and feature film supervising sound editor Scott Gershin recently joined Technicolor as its director of sound editorial, where he leads the company's expansion into sound design for gaming and immersive experiences and also continues to design and supervise sound for films. He relies on Nugen Audio's Loudness Toolkit 2 and Halo Upmix plug-ins.
Soundbreaking: Stories from the Cutting Edge of Recorded Music provides a fascinating portrait of the melding of art and technology in the development of popular music. The eight-part PBS documentary finished at Technicolor PostWorks New York. Produced by Show of Force and directed by Maro Chermayeff and Jeff Dupre, the series reaches back to the 1920s, when music was first committed to vinyl, but focuses in particular on the period from the 1960s to the present and the revolution that was set in motion by the late Sir George Martin and the Beatles through their innovative use of multi-tracking.