Mixing Sound

Factory Makes a Sound Investment

Mon, 06/20/2016 - 13:12 -- Nick Dager

Founded in London in 1997, award-winning Factory Studios has produced the sound for projects by many high profile clients, including EE, O2, Renault, Nike, Three, eBay, Sainsbury’s, Tesco, Harvey Nichols, BT, Sony and Samsung. Last year it became the first UK facility to include a Dolby Atmos-licenced suite for commercials and trailers, which features 35 Alcons CRMS Cinema Reference Monitor System speakers.

Ymagis Acquires Christa Kistner Synchronproduktion

Thu, 06/16/2016 - 11:32 -- Nick Dager

Ymagis Group has acquired Berlin-based Christa Kistner Synchronproduktion, one of Germany’s leading dubbing companies for the cinema and television industries. Under the terms of the agreement, Ymagis SA, through one of its wholly owned German subsidiaries, becomes the sole shareholder of Christa Kistner Synchronproduktion. Christa Kistner remains in her functions as its managing director.

A Sound Addition to the Mix

Wed, 06/15/2016 - 11:59 -- Nick Dager

Scott Farr is one of the busiest and most sought after production sound mixers in Southern California. So he’s quite familiar with the rigors of carrying his audio kit over a long day of work.“The trick”, he explains “is how to best carry the weight in the front, and distribute it evenly so you don’t tear up your back, while keeping your shoulders free. And you have to be able to easily interface with your equipment.” Farr was one of the first to use the new K-Tek Stingray Harness, designed specifically for carrying and working with front-mounted audio bags filled with equipment.

Crafting a Classic New York Romance

Fri, 06/03/2016 - 11:43 -- Nick Dager

Post work for director Rebecca Miller’s new romantic comedy Maggie’s Plan, currently in wide release from Sony Pictures Classics, was a labor of love for Technicolor PostWorks New York. A long-time supporter of independent film, the facility furnished suites and systems to picture editor Sabine Hoffman and her crew. It also provided resources for dailies processing, editorial finishing, color grading, sound mixing and deliverables. The project involved months of concentrated effort, spanning pre-production through the film’s world premiere at the Toronto International Film Festival.

The Immersive Sound Challenge

Thu, 06/02/2016 - 12:11 -- Michael Karagosian

Cinema immersive sound is upside down. Technology providers invest in intellectual property for immersive sound rendering engines, but they compete on the availability of content. Trading on content has been counterproductive to growth, contributing to a lackluster immersive sound installation count that is less than two percent of worldwide screens. Immersive sound has more moving parts to address than distribution, but the industry is fixated on a design from scratch, do-everything, distribution standard that’s two and a half years in the making and at least as many years from finding its way into cinemas. A deeper look shows that the key friction point of production for competing systems has been addressed. It’s time to put immersive sound right side up and grow the format.

Supervising Sound Editor George H. Anderson Joins Sony Pictures

Tue, 05/24/2016 - 11:12 -- Nick Dager

Veteran supervising sound editor and sound designer George H. Anderson has joined Sony Pictures Post Production Services. Anderson brings a deep and varied resume in sound with more than 75 credits in film and television. He has completed several recent projects at Sony Pictures, including Popstar: Never Stop Never Stopping, Pee-wee’s Big Holiday and Trainwreck.

Alchemy Provides Foley for The Bandit

Wed, 04/06/2016 - 12:36 -- Nick Dager

Alchemy Post Sound provided Foley services for The Bandit, director Jesse Moss’ exhilarating documentary about Burt Reynolds, the late director and stuntman Hal Needham and the making of the iconic 1977 action-comedy Smokey and the Bandit. Working under the direction of supervising sound editor/re-recording mixer Tom Paul, Foley artist Leslie Bloome and his crew recreated the sounds of brawling stuntmen, a rocket-propelled car and 100-foot body falls to accompany the film’s mind-blowing stunts and action scenes.

Cinema Sound: SLS Audio

Wed, 03/23/2016 - 11:56 -- Nick Dager

Movie theatres are getting bigger again and exhibitors have learned that audiences are willing to pay for the kind of immersive entertainment that simply can’t be duplicated in the typical home theatre. This trend has only increased the demand that the audio match, or even surpass, the quality of the images on the big screen. Cinema sound has never been bigger or more important. Understanding that, Digital Cinema Report reached out to key manufacturers to learn what developments in sound technology they’ll be highlighting when the exhibition industry gathers next month at CinemaCon 2016 in Las Vegas. In part six of this ongoing series, I spoke with Chuck Mulhearn, sales manager worldwide, cinema, SLS Audio to get his perspective.

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