Continuing to add resources for motion picture and television sound, Sony Pictures Post Production Services today announced the opening of three theater-style studios inside the Stage 6 facility on the Sony Pictures Studios lot in Culver City.
Tower 3, a new documentary short from Irish filmmaker and artist Marcus Robinson, commemorates the massive construction project behind the latest addition to New York’s World Trade Center site, an 80-story structure that is now the city’s fifth largest building. Commissioned by Silverstein Properties for ribbon-cutting ceremonies marking the building’s completion, the five-minute film was produced by Robinson with technical and creative assistance from Technicolor PostWorks New York.
Audionamix has released the Instant Dialogue Cleaner plug-in, its first real-time, cloudless tool that uses deep neural network artificial intelligence to automatically clean up speech. IDC features unique and effective dialogue cleaning technology through an intuitive interface, offering cleanup with the turn of a knob.
Multi-award-winning British production sound mixer Chris Munro had to up his game to cleanly capture Tom Cruise’s dialogue as the action star clambered aboard a moving helicopter, leaped from a high-altitude jet and sped through the streets of Paris for Mission Impossible – Fallout.
Superfly is Columbia Pictures’ reimagining of Gordon Parks Jr.’s classic 1972 crime drama that defined its genre through its characters, look, sound and feel. Helmed by Director X and written by Alex Tse, the new movie transports the story of Priest (Trevor Jackson), from Harlem to modern-day Atlanta and reenergizes its vibe for a new generation. The movie’s sound team from Sony Pictures Post Production Services, led by supervising sound editor Steven Ticknor, supervising sound editor and re-recording mixer Kevin O’Connell, re-recording mixer Greg Orloff and sound designer Tony Lamberti, was tasked with bringing the sonic elements of Priest’s world to life. That included everything from building intricate soundscapes for Atlanta’s neighborhoods and glitzy nightclubs to supplying the thunderous fireworks for gun battles and car chases.
Terence Curren founded AlphaDogs in 2002 when he envisioned a future that would have a demand for more than just a conventional post-production facility. Sixteen years ago, the traditional business model was just beginning to show cracks as the falling costs of equipment led some producers to invest in their own. Curren believed talent would be the key ingredient to thrive in the technological world of the 21st Century. A veteran editor and colorist by trade, Curren assembled an elite team of like-minded post-production professionals that brought the perfect balance of creativity and technical know-how to the table. Sixteen years later, AlphaDogs continues to evolve with the ever-changing technology and needs of their clients.
New York independent sound studio Sound Lounge has introduced its Sound Lounge Everywhere concept to Colorado. The company has partnered with Boulder post-production company 11 Dollar Bill to offer remote audio production and mixing service to agencies and brands in the region and beyond.
UK-based Colin Nicolson has worked as a production sound mixer and recordist since the eighties, first in television and documentaries then increasingly in motion pictures, over recent years racking up credits including Murder on the Orient Express, T2 Trainspotting and The Theory of Everything. He’s now working on Walt Disney Pictures’ Artemis Fowl, which is currently in production.
Award-winning supervising sound editor and re-recording mixer Will Files has joined Sony Pictures Post Production Services. Files, who spent a decade at Skywalker Sound, brings credits on more than 80 feature films, including Passengers, Deadpool, Star Wars: The Force Awakens and Fantastic Four. Files won a 2018 MPSE Golden Reel Award for his work on War for the Planet of the Apes. His current project is the upcoming Columbia Pictures release Venom out in U.S. theaters October 5.
Philip K. Dick’s Electric Dreams, the anthology series produced by Sony Pictures Television in a joint venture with Channel 4 in the U.K. and Amazon Studios in the U.S., draws on the late science fiction writer’s voluminous short fiction for its stories of alternate realities, future worlds and paradoxical situations. The show’s first season is a feast for the imagination, consisting of 10 stand-alone, one-hour episodes, each based on a different Philip K. Dick short story and each with a different cast, director and writer. Split between England and the United States, production of Philip K. Dick’s Electric Dreams was logistically and creatively challenging.