Making DCPs

Éclair Remasters First French Feature Film for Onyx Cinema LED Technology

Fri, 02/22/2019 - 10:00 -- Nick Dager

Éclair today announced the successful remastering of Antonin Baudry’s Le Chant du Loup, the first French feature film in 300 nits high dynamic range for Onyx Cinema LED screens. In addition to the Onyx Cinema LED version, Le Chant du Loup is available in ÉclairColor in 15 cinemas across France.

Imaj Deploying Éclair Theatrical Delivery Solutions in Turkey

Tue, 02/12/2019 - 12:26 -- Nick Dager

Istanbul-based film and television content services provider Imaj is deploying Éclair’s broadband network and digital content delivery solutions, including its innovative ÉclairPlay content delivery platform, in Turkey. Éclair and Imaj’s new joint service offering has been designed to meet the needs of film producers, distributors and cinema exhibitors in Turkey, who have expressed increasing interest in an alternative full-service digital content distribution and broadband delivery network offering both electronic and physical delivery of content.

Dolby Vision Certification Awarded to Eurofins Digital Media Services New York

Wed, 01/16/2019 - 13:09 -- Nick Dager

The New York facility of Eurofins Digital Media Services has been granted a Certification in Dolby Vision Quality Control Services. Eurofins is the first dedicated Dolby Vision quality assurance facility on the East Coast, meeting the growing demand for quality control and testing services in New York City.

Éclair Officially opens Samsung Onyx Cinema LED Facility in Paris-Vanves

Fri, 11/09/2018 - 10:44 -- Nick Dager

Earlier this week Éclair and Samsung held a ribbon cutting ceremony to officially open Éclair’s Paris-Vanves Onyx Cinema LED facility, the first of its kind in Europe. Éclair can now provide professional services specifically tailored for the Onyx Cinema LED – contrast ratio of 1,000,000:1, color grading with true zero nit black, and ÉclairColor DCP mastering – to European filmmakers, producers and distributors.

Making Sense of the SMPTE DCP Standard

Tue, 10/23/2018 - 11:48 -- Nick Dager

Despite the fact that the industry adopted an internationally ratified SMPTE DCP standard nearly a decade ago, there remains widespread confusion and disagreement about what constitutes a universally accepted digital cinema package. If that sentence makes no sense to you, you’re not alone. For months the European Digital Cinema Forum with sponsorship from the International Union of Cinemas has been developing a web portal to address this problem. Their mission statement is, “To act as an informational resource for the industry on the SMPTE DCP and its operational use, and to provide a point of reference of on-boarding for those individuals/organizations willing to aid in the transitional process on a territory by territory basis.”

Deluxe Launches Content & Key Manager

Wed, 08/22/2018 - 14:26 -- Nick Dager

Deluxe has launched the Content & Key Manager to replace their existing Cinema Portal platform. The Content & Key Manager has been integrated as a service within Deluxe One – the company's flagship cloud-based platform that unifies each stage of the content supply chain, creating an end-to-end ability to manage assets and requirements from creation to delivery.

PostWorks Digital Cinema Sees Growth

Tue, 11/01/2016 - 14:12 -- Nick Dager

Last July PostWorks New York announced that it had formed a new digital film distribution service, PostWorks Digital Cinema, and hired industry veteran Greg Fornero to lead it. The plan was to work with indie film producers and distributors, international film festivals and independent digital intermediate facilities to provide digital cinema package duplication, drive set rentals and sales, KDM management and broadband content delivery services. To get a progress report on the new service I recently visited the PostWorks’ facility in New York City’s Tribeca neighborhood to meet with senior vice president for theatrical services Clark Henderson.

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