When Camrin Petramale won a coveted honor at this year’s Local 600, Cinematographer’s Guild Emerging Cinematographers Awards, one of the perks he received was a set of Litepanels Sola ENG lights.
Litepanels has announced the Hilio/HC Field Lighting Package. This package is designed to provide the Hilio’s high output daylight balanced illumination with a convenient and portable DC power system from Anton/Bauer for ultimate mobility.
Shooting in northwest Chicago, within an old 1900s box warehouse for Lauren Santee’s music video, Let Down, provided some challenges for producer/director Kevin Otterness.
DP Jendra Jarnagin recently shot a night scene for an independent feature shooting the Sony F55 Digital Cinema Camera at 5000 ISO.
Lincoln, Nebraska’s Outpost12 Studios is using new Zylight Z90 compact LED lights on location and IS3c large panel LED lights in its studio. Known in their market for VFX and animation work, the studio is using its new lighting instruments to produce custom interactive work for the Web that creates unique branding experiences for its clients
When an action movie script on a tight budget included such challenges as close-ups of mixed martial arts fighting, a high-speed car chase shot from a low-flying helicopter, and low-light location scenes, director of photography, David E. West, knew the solution was to capture it all using a Canon Cinema EOS C300 digital cinema camera, a Canon EOS 5D Mark II Digital SLR camera, and EF-Series lenses. Having used the EOS C300 camera on a previous assignment, West was enthusiastic about its portability and low-light advantages. He also owned an EOS 5D Mark II camera, and was a fan of Canon lenses both for photography and for shooting reality TV. West decided from the outset that the ambitious visuals needed for Blunt Force, a new film from director Daniel Zirilli, would make this an all-Canon project. Shot on location in Mississippi, the movie tells the story of an ex-soldier imprisoned and forced to be part of an Internet cage-fighting club.
While on location shooting the documentary about traditional silk weavers, Silkies of Madagascar, award-winning National Geographic stills photographer and video director David Evans decided to make the leap to Director of Photography.
It’s taken several years for cinematographer Lan Bui to bring Redemption: The Darkness Descending to completion. But it’s been worth the effort. The multi-platform project began as a 24 episode web series that allows the audience to enter an underground world and become part of the story through a groundbreaking interactive app, and has since grown into a feature film.
When shooting his recent independent feature Heads We Do, cinematographer Andrew Huebscher faced challenges including a tight budget, a 15-day shooting schedule, exterior night scenes, and the need for outstanding motion-picture image quality.
In early 2010, Anna Foerster was one of the first cinematographers to shoot a feature film using a prototype Arri Alexa camera and Codex Recorders. That film, Anonymous, blended court intrigue, scandalous romance and the timeless lust for power, all set in the visually rich period of Shakespeare’s England. Foerster won the German Film Award for best cinematographer for her work on Anonymous. Now Foerster has reteamed with Roland Emmerich on White House Down, a contemporary action thriller about an attack on the U.S. president and the cop who defends him. Foerster and Emmerich chose to work with the Alexa and Codex once again. “It’s a fully developed, fantastic way of working,” says Foerster.