When shooting his recent independent feature Heads We Do, cinematographer Andrew Huebscher faced challenges including a tight budget, a 15-day shooting schedule, exterior night scenes, and the need for outstanding motion-picture image quality.
In early 2010, Anna Foerster was one of the first cinematographers to shoot a feature film using a prototype Arri Alexa camera and Codex Recorders. That film, Anonymous, blended court intrigue, scandalous romance and the timeless lust for power, all set in the visually rich period of Shakespeare’s England. Foerster won the German Film Award for best cinematographer for her work on Anonymous. Now Foerster has reteamed with Roland Emmerich on White House Down, a contemporary action thriller about an attack on the U.S. president and the cop who defends him. Foerster and Emmerich chose to work with the Alexa and Codex once again. “It’s a fully developed, fantastic way of working,” says Foerster.
For the first in a series of quirky national spots for the Cartoon Network/Adult Swim, cinematographer Gavin Fisher decided to use the Blackmagic camera, Canon lenses, and his trusty Sachtler Ace M for support.
When Florida-based director/cinematographer, John Deeb isn’t shooting spots for high-profile clients such as Hard Rock Hotels or Disney, he likes to expand the limits of his creativity with music videos like a recent one for indie rocker Matt Pond. To shoot Love to Get Used, a song off Pond’s new album, The Lives Inside the Lines in Your Hand, Deeb got to experiment with different techniques not always viable on commercial productions.
Hollywood Center Studios has forged a new alliance with shooting and visual effects company Engine Room, headquartered on the HCS Lot.
Directed by and written by Farzana Tipurita and produced by Chris Carr, owner of Beyond Mirrors, the short film The Other Woman depicts a life-changing encounter at a beauty salon between a wife who’s hiding her unhappiness behind Gucci shades, and a mistress who’s concealing her frustrations behind a professional facade. The film was a co-production between Mandala Films and Beyond Mirrors Ltd.