Lighting

Rising to the Dark Challenge of Lighting a Horror Film

Fri, 11/22/2013 - 12:23 -- Nick Dager

Horror films have a certain style: cramped quarters, heat, now-you-see-it-now-you-don’t or did-you-really-see-it. Lighting for the suspense, and horror of the genre is always a particular challenge but one that cinematographer Steve Romano believes he handled nicely the indie feature The Girl, which was directed by Jennifer Blanc-Biehn.

Robert Palmer Takes on the Wilds of Colorado for Horror Flick

Tue, 11/05/2013 - 16:04 -- Nick Dager

For writer/producer/director Robert Palmer, the idea behind I Am Alone, starring Gareth David Lloyd, began as a simple horror film video diary, but as the story developed, Palmer and partner Michael A. Weiss realized that the concept behind this project would allow them to push the boundaries of both reality TV and horror films.

Outpost12 Studios Selects Zylight Lighting for Studio, Location Shoots

Tue, 07/09/2013 - 11:59 -- Nick Dager

Lincoln, Nebraska’s Outpost12 Studios is using new Zylight Z90 compact LED lights on location and IS3c large panel LED lights in its studio. Known in their market for VFX and animation work, the studio is using its new lighting instruments to produce custom interactive work for the Web that creates unique branding experiences for its clients

Run-and-Gun Shooting Style Adds Punch to Blunt Force

Tue, 07/02/2013 - 12:51 -- Nick Dager

When an action movie script on a tight budget included such challenges as close-ups of mixed martial arts fighting, a high-speed car chase shot from a low-flying helicopter, and low-light location scenes, director of photography, David E. West, knew the solution was to capture it all using a Canon Cinema EOS C300 digital cinema camera, a Canon EOS 5D Mark II Digital SLR camera, and EF-Series lenses. Having used the EOS C300 camera on a previous assignment, West was enthusiastic about its portability and low-light advantages. He also owned an EOS 5D Mark II camera, and was a fan of Canon lenses both for photography and for shooting reality TV. West decided from the outset that the ambitious visuals needed for Blunt Force, a new film from director Daniel Zirilli, would make this an all-Canon project. Shot on location in Mississippi, the movie tells the story of an ex-soldier imprisoned and forced to be part of an Internet cage-fighting club.

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