FujiFilm is currently conducting Lunch & Learn Lenses events in cities across North and South America. Each Lunch & Learn Lenses session is an informal discussion over lunch with representatives from FujiFilm that provides attendees with an opportunity to give insight into what future lens innovations they’d like to see.
Toronto-based Stature Films is the first North American customer to purchase FujiFilm’s new Fujinon MK50-135mm T2.9 zoom lens. Stature Films, best known for its commercial and documentary production, was an early adopter of the first in the MK Series – the MK18-55mm – purchasing two shortly after the lens’ introduction last February.
Keslow Camera announced today that it is acquiring Clairmont Camera and its Vancouver and Toronto operations. The move will more than quadruple Keslow Camera’s anamorphic and vintage lens inventory, and add a substantial range of custom camera equipment to the company’s extensive portfolio. Simultaneously, Clairmont founder Denny Clairmont, one of the industry’s most respected talents in front and behind the camera, announced his retirement. The acquisition is expected to be complete on or before August 4.
A young reporter and his niece discover a beautiful and enchanting creature they believe to be a real mermaid, in the 1930s period tale The Little Mermaid, a live-action film inspired by the classic Hans Christian Andersen fairy tale and co-directed by Chris Bouchard and Blake Harris. Book-ended in the present day, The Little Mermaid gave cinematographer Neil Oseman the opportunity to use Cooke S4/i lenses to their fullest, capturing the look he loves from the fantasy/adventure films of the 1980s and1990s for The Little Mermaid’s 1930s look.
Scot Stewart, owner and creative director of Vistar Media Solutions, had four days to shoot Big Time, the new music video from rock band Great White. The production shot in early May throughout Riverside and Yucaipa, California. The video supports the first single off the band’s new album, Full Circle.
Director of photography Bobby Bukowski (When We Rise, Weeds, The Messenger, Arlington Road) has completed production of the upcoming Netflix series Gypsy, starring Naomi Watts and Billy Crudup. Bukowski shot the 10-episode dramatic series with Panasonic VariCam 35 4K camera recorders. “The greatest gift of the VariCam is the impetus to drop old habits, reinvent techniques and redefine who you are as an artist,” said Bukowski. “It’s wonderful and exciting to look at your craft through a different prism.
One of the most honest portraits of teenage life, 13 Reasons Why is a Netflix series based on the 2007 young adult novel by Jay Asher and adapted by Brian Yorkey. Academy Award winning writer/director Tom McCarthy worked with cinematographer Andrij Parekh (Show Me a Hero, Blue Valentine) with Panasonic VariCam 35 cinema cameras to capture a distinctive look for the first two episodes of the series.
Cooke Optics announced today that Panavision, Red Digital Cinema, Canon, Blackmagic Design, CW Sonderoptic and Sony are embracing an industry-defining project to standardize the collection of lens metadata from PL and selected Panavision mount lenses on the /i Technology protocol.
Responding to the increasing need for character-driven, large-format optics, CW Sonderoptic has introduced the Leica Thalia series of prime lenses. The set of nine spherical lenses provides an image circle of 60mm diagonal, which covers Arri Alexa 65, VistaVision, and Super 35 film and digital formats while maintaining a consistent look and feel through all focal lengths.
The third and final series of ITV’s acclaimed TV crime drama Broadchurch was shot using Cooke Anamorphic/i lenses by cinematographer Carlos Catalan. The unusual decision to shoot a TV drama anamorphically was taken to make the most of the wide vistas of the coastal setting, and to bring a cinematic look to the story.