Panasonic has announced the immediately available of a free firmware 1.12 upgrade for the new AU-EVA1 5.7K handheld cinema camera. This upgrade expands lens compatibility for a number of popular Sigma ART lenses.
For the historical vignettes in the upcoming CNN six-hour, six-part miniseries Pope: The Most Powerful Man in History, cinematographer Dane Lawing wanted each era to have its own look and a distinctly cinematic feel. To achieve this, he relied exclusively on Cooke S4/i prime lenses.
The Queen of Sin, the third film shot by Serge Desrosiers, CSC (a.k.a. Sergio Di Rosa), for Incendo Productions and its cable network client Lifetime, is a departure from what most people consider the traditional Lifetime made-for-TV movie. “The Queen of Sin is unlike any film that I’ve done for Incendo and Lifetime,” explained Desrosiers, whose second Lifetime film, Sometimes the Good Kill – also shot with Cooke lenses – has been nominated for an ASC 2018 award.
Panavision has introduced the Millenium DXL2 8K camera, which the company says is the heart of a complete imaging ecosystem designed from filmmakers’ perspectives. The new camera incorporates Panavision’s optics and camera architecture, the Red Monstro 8K VV sensor, and Light Iron color2 science (LiColor2).
Arri today unveiled the Alexa LF camera, which is based on a large-format 4K version of the Alexa sensor. The new camera is part of a system that also includes, Arri Signature Prime lenses, LPL lens mount, and PL-to-LPL adapter. It is also compatible with existing lenses, accessories, and workflows.
Sony’s next-generation CineAlta motion picture camera Venice begins shipping to customers this month. As previously announced, version 1.0 features in Venice will include support for full-frame 24x36mm recording.
Lensrentals today announced a strategic partnership with LensProToGo. The combined company will be privately held, with both the Lensrentals and LensProToGo management team taking an active role in its leadership, with both brands continuing to operate with increased resources.
Shanra J. Kehl’s The Morning After features eight intercut vignettes shot in eight locations in 11 days, telling the story of the moment when you wake up next to someone... the next morning. Kehl served as director/writer/producer and cinematographer on the film. She shot with shot with Cooke S4/I lenses.
Instrument of War is a period piece based on the true story of Clair Cline, a US Army Air Forces pilot shot down over occupied Holland during World War II and held at the German Stalag Luft 1 POW camp, and The Prison Camp Violin he made from materials found in the camp and by trading Red Cross cigarettes for a bow. “We shot in Lithuania for the authenticity of the architecture, and built the POW camp around existing buildings to enhance the film’s production value,” said cinematographer Wes Johnson. With the authentic look of their sets, and a strong U.S. dollar, Instrument of War looks like it was shot for several times its actual production cost.
Cinematographer Adam Kimmel ASC used Cooke Optic’s new Anamorphic/i SF lenses to shoot Mark Felt: The Man Who Brought Down The White House, which tells the story of the whistle-blower FBI agent who worked with journalists Bob Woodward and Carl Bernstein to uncover the Watergate scandal.