Lenses

Keslow Camera Acquires Clairmont Camera

Mon, 07/17/2017 - 15:00 -- Nick Dager

Keslow Camera announced today that it is acquiring Clairmont Camera and its Vancouver and Toronto operations. The move will more than quadruple Keslow Camera’s anamorphic and vintage lens inventory, and add a substantial range of custom camera equipment to the company’s extensive portfolio. Simultaneously, Clairmont founder Denny Clairmont, one of the industry’s most respected talents in front and behind the camera, announced his retirement. The acquisition is expected to be complete on or before August 4.

Creating a Period Look

Tue, 06/20/2017 - 12:08 -- Nick Dager

A young reporter and his niece discover a beautiful and enchanting creature they believe to be a real mermaid, in the 1930s period tale The Little Mermaid, a live-action film inspired by the classic Hans Christian Andersen fairy tale and co-directed by Chris Bouchard and Blake Harris. Book-ended in the present day, The Little Mermaid gave cinematographer Neil Oseman the opportunity to use Cooke S4/i lenses to their fullest, capturing the look he loves from the fantasy/adventure films of the 1980s and1990s for The Little Mermaid’s 1930s look.

Through a Different Prism

Wed, 05/31/2017 - 15:32 -- Nick Dager

Director of photography Bobby Bukowski (When We Rise, Weeds, The Messenger, Arlington Road) has completed production of the upcoming Netflix series Gypsy, starring Naomi Watts and Billy Crudup. Bukowski shot the 10-episode dramatic series with Panasonic VariCam 35 4K camera recorders. “The greatest gift of the VariCam is the impetus to drop old habits, reinvent techniques and redefine who you are as an artist,” said Bukowski. “It’s wonderful and exciting to look at your craft through a different prism.

Two Looks for 13 Reasons Why

Mon, 04/24/2017 - 14:18 -- Nick Dager

One of the most honest portraits of teenage life, 13 Reasons Why is a Netflix series based on the 2007 young adult novel by Jay Asher and adapted by Brian Yorkey. Academy Award winning writer/director Tom McCarthy worked with cinematographer Andrij Parekh (Show Me a Hero, Blue Valentine) with Panasonic VariCam 35 cinema cameras to capture a distinctive look for the first two episodes of the series.

CW Sonderoptic Introduces Nine New Lenses

Wed, 04/05/2017 - 11:48 -- Nick Dager

Responding to the increasing need for character-driven, large-format optics, CW Sonderoptic has introduced the Leica Thalia series of prime lenses. The set of nine spherical lenses provides an image circle of 60mm diagonal, which covers Arri Alexa 65, VistaVision, and Super 35 film and digital formats while maintaining a consistent look and feel through all focal lengths.

Comedy with a Cinematic Look

Fri, 03/10/2017 - 12:33 -- Nick Dager

Two Netflix shows – Master of None and Love – have three things in common: both are comedies, both have a cinematic look and cinematographer Mark Schwartzbard shot both. Created by comedian Aziz Ansari and Alan Yang, Master of None tells the story of Dev, a 30-year-old actor who attempts to balance his career and love life in New York City. Love, created by Judd Apatow (Trainwreck, This Is 40), Paul Rust, and Lesley Arfin, explores an intense relationship between two Angelenos, Mickey (Gillian Jacobs) and Gus (Paul Rust).

Fujifilm Unveils MK Series Cinema Lenses

Wed, 02/22/2017 - 11:54 -- Nick Dager

Fujifilm has unveiled the MK Series of cinema lenses for E-mount cameras, which boast advanced optical performance, ultra-compact and lightweight design, as well as superb cost performance. The first in this series to be introduced, the Fujinon MK18-55mm T2.9, is a standard zoom with an 18-55mm focal length. It will be available in early March for $3,799.

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