Featured Stories

Screenvision and the Evolving Pre-Show

Wed, 07/10/2019 - 13:29 -- Nick Dager

For moviegoers, one of the most enduring changes brought about by digital cinema technology has been the pre-show, the twenty minutes or so of programming that precedes the trailers and main feature. Screenvision Media’s pre show runs on a cinema network that now includes more than 15,000 screens, in more than 2,400 locations across all 50 States. The network encompasses more than 90 percent of the top markets in the country and claims more than 500 million consumer admissions annually. I spoke recently with Screenvision’s chief revenue officer Katy Loria regarding how pre-shows have evolved over the past decade and what the future holds.

Spider-Man Sound Finished at Sony Pictures

Wed, 07/10/2019 - 13:06 -- Nick Dager

Post-production sound for this summer’s blockbuster hit from Columbia Pictures, in association with Marvel Studios, Spider-Man: Far From Home, was completed by Sony Pictures Post Production Services. Supervising sound editor and sound designer Steven Ticknor, re-recording mixer and supervising sound editor and sound designer Tony Lamberti and re-recording mixer Kevin O’Connell led a team of veteran sound artists in delivering dynamic soundscapes to match the film’s full throttle action, mind-blowing superhero gadgetry and larger-than-life characters, the latter including a quartet of extra-dimensional creatures with colossal powers known as the Elemental Creatures.

Play it Again, Sam

Tue, 07/09/2019 - 13:32 -- Nick Dager

Sam Chynoweth joined Technicolor in July 2018 and brings a mixture of animation and live action experience to Technicolor’s London color team. Chynoweth previously worked as a colorist in Australia on a number of different projects, including The Lego Movie, The Infiltrator, Peter Rabbit and The Lego Batman Movie. He spoke with Digital Cinema Report recently about his work.

Finding the Available Light

Tue, 07/09/2019 - 13:07 -- Nick Dager

Part Vittorio De Sica’s Bicycle Thieves, part Goonies on skateboards, director Lije Sarki’s Concrete Kids tells the story of two nine-year-old boys from Venice, California who, for a contest, set off on a mission to cross Los Angeles on skateboards at night to reach the Staples Center by morning. Now streaming on Amazon Prime, the low-budget feature from The Orchard was shot by cinematographer Daron Keet with Panasonic VariCam LTs in available light mainly at night.

Paddleton’s Unique Approach to Sound

Thu, 06/27/2019 - 11:28 -- Nick Dager

With a unique improvisational acting style at the heart of the Netflix original film, Paddleton, capturing audio was of paramount concern for sound supervisor Daniel S. McCoy CAS, owner and operator of ToneMesa, Inc. “Sometimes, the team would go off to unplanned locations and I’d have to be ready to follow immediately,” says McCoy.

Don’t Make Ma Angry

Mon, 06/24/2019 - 11:00 -- Nick Dager

VFX Legion recently wrapped work on Ma, Blumhouse Productions’ new psychological horror film. The Burbank and British Columbia-based independent studio digitally mutilated and eviscerated characters, and augmented practical footage with computer-generated sequences, large-scale dynamics, new digital assets and composited shots that enhanced some of the movie’s most gruesome scenes.

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New Sounds for Men in Black

Fri, 06/21/2019 - 11:20 -- Nick Dager

Sound production for Columbia Pictures’ new action adventure Men in Black: International was completed by Sony Pictures Post Production Services on the studio lot in Culver City. Three-time Academy Award-winning sound designer/supervising sound editor/re-recording mixer Paul N. J. Ottosson led the sound team in delivering a host of ingenious sound elements to support the film’s colorful cast of characters, super-charged action scenes and extraterrestrial comedy.

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