For William Wages, ASC, filmmaking is first and foremost about storytelling. He says his role, as a premier cinematographer is to capture the best performances with the least intrusion. “It’s less about the technology, and more about the story,” he says in a new video produced by Fujifilm. The winner of three ASC Awards, including ASC Career in Television honors in 2012, and two Emmy nominations, Wages is known for his sumptuous landscape and intimate photography in features such as Maya Angelou’s Down in the Delta, Roland Joffe’s The Forgiven, and Steven Spielberg’s TV mini-series Into the West, as well as his development of filmmaking tools that create more efficiency and transparency on set.
Éclair today announced the ÉclairColor certification of its content services unit in Berlin. This is the second ÉclairColor certification of an Éclair facility after Paris-Vanves. Two German releases have already been mastered in ÉclairColor by Éclair’s Berlin teams: Jacob Lass’ So Was Von Da, opening in cinemas across Germany today, and Florian Gallenberger’s Grüner Wird’s Nicht, opening August 30.
Cinemark Theatres is the first exhibitor in Taiwan to deploy Christie’s CP4325-RGB pure laser cinema projector. The projector, which features Christie’s proprietary RealLaser technology, was installed in the flagship Cine X auditorium of Cinemark Theatres Dream Mall, equipped with a 19-meter screen and a capacity of over 350 seats. Dacoms Technology had the installation and will oversee maintenance.
My Breathing on Everest journey kicked off less than a year out of university when my friend and frequent collaborator Meredith Gaito came to me with an idea she knew most other people would call too ambitious or downright crazy. A year and a half later I have been to Nepal twice filming at the base camp of Mount Everest for what has become a deeply personal documentary.
In Small Town Crime, a thriller with dark humor, ex-cop Mike Kendall (John Hawkes) discovers the body of a young woman and, in an act of self-redemption, becomes hell-bent on finding her killer. While his uncouth and quirky detective style helps break open the case, his dogged determination unwittingly puts his family in danger
Premiering at the 2017 Austin Film Festival where it won Best Narrative Short, Demon tells the story of a desperate man emerging from the night where he encounters a solitary shack in the middle of the desert. It is in this night setting where he discovers a dark secret that the property owner possesses. Cinematographer Drew Dawson shot the supernatural drama/thriller, directed by Caleb Slain just outside Joshua Tree National Park. The Demon script had the setting as a desert landscape with a full moon. According to Dawson, the goal was to capture the entire film with moonlight, practicals, and minimal film lights
Vox Cinemas, one of the Middle East’s most innovative cinema exhibitors, is installing a range of Unique X technology including RosettaBridge TMS, RosettaNet eTMS, BaseKey KDM Manager and Cielo network monitoring.
Tower 3, a new documentary short from Irish filmmaker and artist Marcus Robinson, commemorates the massive construction project behind the latest addition to New York’s World Trade Center site, an 80-story structure that is now the city’s fifth largest building. Commissioned by Silverstein Properties for ribbon-cutting ceremonies marking the building’s completion, the five-minute film was produced by Robinson with technical and creative assistance from Technicolor PostWorks New York.
On the traditional sound stage, wired boom mics largely defined the limits and possibilities for film and television production. Over the past thirty years, sound engineer Edward Tise has pioneered advances in wireless audio to expand the possible. Now, equipped with the Sony DWX Series digital wireless microphone system, he wields a creative palette that alters the look and feel of what we see and hear on screen.
Swapnil Patole is senior colorist and digital intermediate head of department at Famous Studio in Mumbai, which opened in 1946 and has become one of the finest post-production houses in India. Since starting his career 14 years ago, he has graded a long list of commercials in all genres and for brands such as L’Oreal, Garnier, McDonalds, Honda and Nivea, to name a few. He has more recently worked on feature films, festival short films and music videos, including a project for Sony Music India. Digital Cinema Report recently spoke with him about his career and how evolving technology has changed the work of colorists around the world.