Venture 3D used Signiant’s Media Shuttle as its primary file transfer solution during production of Metallica’s latest cinematic venture, Metallica: Through the Never, which premiered in Imax 3D on September 27 and will premier in theaters everywhere on October 4.
Hula Post Production provided 3D editorial gear and space for Metallica: Through the Never, the new feature-length 3D concert film released worldwide this month by Picturehouse.
UK production house Onsight has expanded its stereoscopic 3D capabilities by adding to its digital intermediate color grading and stereo 3D resources through the additional upgrade of its existing Mistika suites from SGO.
Lava Land, shot on location on Hawaii's Big Island in stereo 3D follows the exploits of brave scientists and hardy residents, from rainforests to barren rock, where lava flows from boiling vents.
Paris-based animation studio Illumination Mac Guff used Shotgun software to keep on track for the 3D summer family film and one its most successful, Despicable Me 2.
Douglas Trumbull’s latest project UFOTOG, the world’s first high-frame rate (120 fps), stereoscopic 3D film, has completed production.
Bad Robot, the production company founded by director J.J. Abrams, used Tweak Software’s RV-SDI to review visual effects shots from Star Trek Into Darkness.
Foxed, an award-winning, 3D animated short by Toronto-based director James Stewart will have its Canadian 3D premiere and theatrical run in Toronto at the TIFF Bell Lightbox, starting June 28.
California-based Legend3D has been chosen by The Coca-Cola Company and advertising agency Ogilvy & Mather Paris to convert the Liquid Dream Coke Zero spot into 3D.
Recognized with an Academy Award for Hugo and an Emmy Award for the second season of Game of Thrones, visual effects house Pixomondo recently created nearly 300 shots for J.J. Abrams' epic Star Trek Into Darkness.