Editing 3D

Unique Airbnb Campaign Debuts in Cinemas

Fri, 06/17/2016 - 12:21 -- Nick Dager

Calling it a new frontier in cinema advertising Airbnb, the world’s leading community-driven hospitality company, is taking its Live There campaign to theaters this weekend. The split-screen experience debuted during 3D showings of summer blockbusters Finding Dory, Independence Day: Resurgence, and The Secret Life of Pets in the UK only. Moviegoers will have a first-of-its-kind, immersive experience that contrasts standardized mass tourism with the unique moments of travel and authentic experiences only possible while traveling on Airbnb.

Our Restless Planet Comes Alive in 3D

Tue, 06/24/2014 - 12:25 -- Nick Dager

Bruce Austin of Bruce Austin Productions and Dan Harris of Eight Ball Pictures and Stereoscope teamed up to create the 3D film Our Restless Planet, for the JPL Earth Science Visitor Center. The film highlights the effects of hurricanes, earthquakes and fresh water supplies on our planet.

Creative Post Breaks Ice in the Wonders of the Arctic 3D

Thu, 06/12/2014 - 15:14 -- Nick Dager

The $4 million Wonders of the Arctic 3D natural world epic marks Science North's fifth IMAX production in conjunction with Lickley and Chicago’s Giant Screen Films. The 42-minute film, which focuses on the effects of climate change to the Arctic environment and the impact on humans and animals, such as the resilient Inuit peoples and Polar bears that reside there, has been distributed in more than 100 theatres around the world.

Sony Pictures Entertainment Creates New Workflow for Spider Man 2

Mon, 05/12/2014 - 10:51 -- Nick Dager

Columbia Pictures’ The Amazing Spider Man 2 marks a groundbreaking collaboration between visual effects, sound and post-production teams from Sony Pictures Entertainment. The Academy Award-winning Sony Pictures Imageworks crafted over 1000 visual effects shots, Sony Pictures Post Production provided sound – its first project in in Dolby Atmos – and Colorworks performed film scanning, conforming and color grading all in 4K.

Work it like a Rock Star

Mon, 05/05/2014 - 11:28 -- Nick Dager

Eugene Riecansky claims it was love at first sight. It was about eight years ago, the visual effects and music industry veteran was working on a video for alternative metal band Deftones and first encountered Autodesk software at a participating post house. A recent project had the team creating tour visuals for international DJ, Skism. After using Maya to help create pristine elements such as Snakes wrapped around neon crosses, huge robotic structures, and pulsating skulls, the Rockstar team was able to move the entire project, including the 3D assets created in Maya, quickly and easily into Smoke to bring everything together and provide animations ready for the DJ to use live on tour

New Spectracal Software Said to Reduce Monitor Correction Time

Thu, 05/01/2014 - 14:34 -- Nick Dager

SpectraCal announced today what the company says is a major technological advance in the process used to correct the color performance of professional reference monitors. Called Dynamic Linearity Correction (DLC), the new software algorithms added to SpectraCal’s CalMAN Studio software help enable the widespread adoption of monitor correction with three-dimensional look-up tables.

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