New York Women in Film & Television is now accepting applications for its four 2016 Funds for Women Filmmakers. Applications are available online at www.nywift.org. The available grants are The Loreen Arbus Disability Awareness Grant, In-Kind Post-Production Grants, The Nancy Malone Marketing & Promotion Grant and The Ravenal Foundation Feature Film Grant.
AFI Docs will pay tribute to renowned filmmaker Werner Herzog as the festival's 2016 Charles Guggenheim Symposium honoree.
Produced by New York Women in Film & Television, Women Directors: Sharing Immigrant Experiences through Film is a screening series created to highlight and promote immigrant stories within New York City by women filmmakers. This five-month long series, designed to showcase a themed exhibition of short and feature-length films, will have its fourth screening May 19.
A Girl in the River: The Price of Forgiveness, winner of this year’s Academy Award for Best Documentary, Short Subject, recently made its world premiere on HBO. Directed by Sharmeen Obaid-Chinoy (who also won an Oscar in 2012 of Saving Face) and edited by Geof Bartz, A.C.E., the 40-minute film went through editorial conforming, final color grading and preparation for broadcast at Technicolor PostWorks New York.
As the U.S. Supreme Court decides in 2016 whether individual states may essentially outlaw abortion (Whole Woman’s Health v. Hellerstedt), a new documentary, Trapped, follows the struggles of the clinic workers and lawyers who are on the front lines of a battle to keep abortion safe and legal for millions of American women. The movie premieres April 25 as part of the Big Sky Film Festival in Montana.
Two acclaimed documentary film production companies are teaming up to chronicle an unlikely contender in the battle to halt climate change: soil. A co-production of The Big Picture Ranch (Fuel, The Big Fix, Pump) and Benenson Productions (Dirt! The Movie, The Hadza: Last of the First), Kiss the Ground will be produced by Josh Tickell, Rebecca Harrell Tickell and Bill Benenson. Josh and Rebecca Tickell are directing. Laurie Benenson, Anna Getty and Michelle Lerach are executive producing.
Alchemy Post Sound provided Foley services for The Bandit, director Jesse Moss’ exhilarating documentary about Burt Reynolds, the late director and stuntman Hal Needham and the making of the iconic 1977 action-comedy Smokey and the Bandit. Working under the direction of supervising sound editor/re-recording mixer Tom Paul, Foley artist Leslie Bloome and his crew recreated the sounds of brawling stuntmen, a rocket-propelled car and 100-foot body falls to accompany the film’s mind-blowing stunts and action scenes.
Final post-production for Justice for MLK: The Hunt for James Earl Ray, a two-hour documentary that premiered recently on the American Heroes Channel, was completed at Pixel Underground, a Sim Group company. The facility handled online, final color grading and deliverables. It also provided graphics services, creating the main title as well as dozens of artfully animated elements that appear throughout the show. Produced by Cream Productions in association with Absinthe Film Entertainment, Justice for MLK centers on the final days of Martin Luther King’s life and the tense, 65-day manhunt that led to the capture of his killer. Directed by Michael DeCarlo, the documentary is composed of archival footage, interviews with people familiar with King, Ray and the police investigation, and historical reenactments.
One of the few newspapers to write, direct and produce a feature-length documentary, the San Francisco Chronicle, Northern California's largest newspaper, will debut its first film, Last Men Standing, April 8 at the Castro Theatre. The documentary, which follows the lives and experiences of eight long-term AIDS survivors, is part of a larger special report featuring interactive digital and print features by Chronicle reporter Erin Allday.
Wildlife cinematographer Danny Schmidt plunged into Colombia’s remote Magdalena River Valley earlier this year to document the plight of the critically endangered brown spider monkey in a project for National Geographic. Schmidt and camera operator Federico Pardo had just eight days to locate the rare albino spider monkeys (their albinism is a genetic abnormality cause by habitat degradation), record their story and capture the fragile environment in which they live.