The March on Washington Film Festival returns to D.C. for its fourth year this July 13-23.
The Museum of Flight, a Smithsonian affiliate, has dedicated its entire June 18 film schedule to premiere Space Next in 4K stereoscopic 3D. The opening was timed to coincide with the NewSpace conference of entrepreneurs, scientists, engineers and policy leaders, held by the Space Frontier Foundation. At two of the premiere screenings, open to the public, Space Next director Luke Ployhar of Afterglow Studios in Minneapolis will introduce the film and show how scenes were created. Ployhar is a seasoned Hollywood filmmaker and effects artist whose credits include Minority Report.
The Society of Motion Picture and Television Engineers and the Hollywood Professional Association today announced the jurors for the second annual SMPTE-HPA Student Film Festival. The event is scheduled for October 26, following the Oktoberfest Reception at the SMPTE 2016 Annual Technical Conference & Exhibition in Hollywood, California. The deadline for entries is June 27. For the second year in a row Nick Dager, editor and publisher of Digital Cinema Report will serve as a juror.
New York Women in Film & Television is now accepting applications for its four 2016 Funds for Women Filmmakers. Applications are available online at www.nywift.org. The available grants are The Loreen Arbus Disability Awareness Grant, In-Kind Post-Production Grants, The Nancy Malone Marketing & Promotion Grant and The Ravenal Foundation Feature Film Grant.
AFI Docs will pay tribute to renowned filmmaker Werner Herzog as the festival's 2016 Charles Guggenheim Symposium honoree.
Produced by New York Women in Film & Television, Women Directors: Sharing Immigrant Experiences through Film is a screening series created to highlight and promote immigrant stories within New York City by women filmmakers. This five-month long series, designed to showcase a themed exhibition of short and feature-length films, will have its fourth screening May 19.
A Girl in the River: The Price of Forgiveness, winner of this year’s Academy Award for Best Documentary, Short Subject, recently made its world premiere on HBO. Directed by Sharmeen Obaid-Chinoy (who also won an Oscar in 2012 of Saving Face) and edited by Geof Bartz, A.C.E., the 40-minute film went through editorial conforming, final color grading and preparation for broadcast at Technicolor PostWorks New York.
As the U.S. Supreme Court decides in 2016 whether individual states may essentially outlaw abortion (Whole Woman’s Health v. Hellerstedt), a new documentary, Trapped, follows the struggles of the clinic workers and lawyers who are on the front lines of a battle to keep abortion safe and legal for millions of American women. The movie premieres April 25 as part of the Big Sky Film Festival in Montana.
Two acclaimed documentary film production companies are teaming up to chronicle an unlikely contender in the battle to halt climate change: soil. A co-production of The Big Picture Ranch (Fuel, The Big Fix, Pump) and Benenson Productions (Dirt! The Movie, The Hadza: Last of the First), Kiss the Ground will be produced by Josh Tickell, Rebecca Harrell Tickell and Bill Benenson. Josh and Rebecca Tickell are directing. Laurie Benenson, Anna Getty and Michelle Lerach are executive producing.
Alchemy Post Sound provided Foley services for The Bandit, director Jesse Moss’ exhilarating documentary about Burt Reynolds, the late director and stuntman Hal Needham and the making of the iconic 1977 action-comedy Smokey and the Bandit. Working under the direction of supervising sound editor/re-recording mixer Tom Paul, Foley artist Leslie Bloome and his crew recreated the sounds of brawling stuntmen, a rocket-propelled car and 100-foot body falls to accompany the film’s mind-blowing stunts and action scenes.