French post-production facility, VSI Paris / Chinkel SA has installed a Telestream Vantage media processing and workflow automation platform to streamline operations. Throughout the installation, Telestream worked closely with its local channel partner, Videlio-Cap'Ciné.
FireFly Cinema now provides direct integration with axle Gear from axle Video. The integration enables on-set color graded images and metadata from FireFly Cinema’s FireDay dailies management tool to flow seamlessly into the axle media management system.
Firefly Cinema has unveiled V6 of its comprehensive color grading software suite which includes: FirePlay (for playback), FireDay (for digital dailies) and FirePost (for color finishing). Used on hundreds of feature films (La La Land, Planetarium, The History of Love, Belle and Sebastien), FireFly Cinema provides an integrated and production-wide approach to managing color workflows on-set, through dailies and post-production.
WCPMedia Services has announced improvements to its cloud-based media management platform to help television and motion picture producers better store, manage and share assets throughout the production cycle. New features and enhancements address core production activities including dailies management and transcoding, review and approval, and distribution to post-production partners and end-users.
Post house Colortime of Burbank, California has installed a Dalet Galaxy platform to provide workflow automation and media asset management.
WCPMedia Services managing director, Americas Kenneth Yas will describe how emerging cloud-based media management technologies are creating new workflows and new opportunities for production companies, post-production facilities and other in two Breakfast Roundtable discussions at the Hollywood Professional Association’s 23rd annual HPA Tech Retreat in Indian Wells, California.
Award-winning cinematographer Theo Van De Sande ASC was an early supporter of the Academy Color Encoding System, using version 0.2.2 on civil war drama Deliverance Creek in 2013, which was nominated for the ASC Award for Television. Since then he has been a staunch supporter, using ACES on numerous TV shows and pilots. When he was offered the chance to shoot Bad Santa 2 for Miramax, he turned again to ACES for his color-processing pipeline.
Firefly Cinema today announced version 6 of its comprehensive color grading software suite which includes: FirePlay (for playback), FireDay (for digital dailies) and FirePost (for color finishing), which have been used on hundreds of feature films including Planetarium, The History of Love, Belle and Sebastien.
The post-production team for the Canadian family drama series Backstage is again relying Facilis TerraBlock for their collaborative editorial workflow for its second season. Ellen Fine, CCE (Canada Cinema Editor) is the supervising editor and consulting producer on Backstage. The series is produced by Fresh TV and distributed by DHX. It currently airs on the Family Channel in Canada and on the Disney Channel in the US and worldwide.
Rome-based post company Augustus Color has moved post-production for Black Butterfly, Paradox Studios’ upcoming psychological thriller, to the cloud. Augustus is using WCPMedia’s media management platform to deliver dailies media to the film’s editorial team in Spain.