Mixing Light has teamed up with Gaiamount, the leader in China’s growing video, television and film production resources market, to offer a variety of Mixing Light courses to Chinese media professionals, both online and during Beijing's BIRTV 2016 trade show.
“When Woody Allen asked me to do Café Society, he had never done a digital capture before, but I knew that I had to jump completely into this new chance we had,” said Vittorio Storaro. “I wanted to see images on set that would be very close to the final result and afterwards on dailies even closer, almost 90 percent of that way to what we would see at the end.”
Canadian media and content company Corus has purchased a turnkey Quantel Rio 4K editing, color, and finishing system with a Neo control panel, enabling the company to build a 4K HDR post-production workflow into its operations. This is the fifth Quantel Rio system purchased by Corus, and its first in a 4K configuration.
Post-production finishing for the sixth season of HBO’s Emmy Award-winning series Game of Thrones recently wrapped up at Chainsaw, a Sim Group company. The facility handled visual effects integration, editorial conforming, final color grading and deliverables for the show.
Wanda Pictures and Dolby Laboratories today announced that Wanda Pictures’ feature For A Few Bullets will be released for Dolby Cinema locations in China on July 15, making it the first Chinese local language movie mastered in Dolby Vision and Dolby Atmos.
Ymagis Group today unveiled its new EclairColor mastering technology. The revolutionary proprietary solution combines a new feature film mastering process with specific projection system technologies in cinemas. The culmination of extensive tests, Eclair engineers created the new technology during the first half of 2016.
Roundabout Entertainment has extended its high dynamic range mastering services by upgrading its DaVinci Resolve systems with the latest software release from Black Magic Design, version 12.5. The new software includes improved HDR grading controls that add to the facility’s ability to finish, grade and deliver theatrical, television and home entertainment projects in HDR. It also adds new tools for editing, visual effects and noise reduction.
Post work for director Rebecca Miller’s new romantic comedy Maggie’s Plan, currently in wide release from Sony Pictures Classics, was a labor of love for Technicolor PostWorks New York. A long-time supporter of independent film, the facility furnished suites and systems to picture editor Sabine Hoffman and her crew. It also provided resources for dailies processing, editorial finishing, color grading, sound mixing and deliverables. The project involved months of concentrated effort, spanning pre-production through the film’s world premiere at the Toronto International Film Festival.
In a project for 20th Century Fox spanning nine months, Roundabout Entertainment restored and remastered the first eight seasons of the classic procedural police drama NYPD Blue. More than 170 one-hour episodes were scanned and finished in 2K, restoring the show to pristine quality for a new domestic release.
Throughout its century in business, Technicolor, the well-known production and post-production house, has worked on features, episodics, and marketing material across the content scale from major studio productions to award-winning independents. More recently, Technicolor has been leading the topic of High Dynamic Range through many outlets including the foundation of the UHD Alliance. Its services range from color grading, mastering services, VFX and final delivery, all of which have now incorporated HDR content.