Donbass, a new movie by Ukrainian writer/director Sergei Loznitsa, is to be shown as a work-in-progress version at the 2018 Cannes Film Festival. Post-production was to a tight timescale – shooting only wrapped in March – and Bucharest facility Digital Cube used a Baselight grading suite to ensure delivery while retaining full creative control over the look.
To help colorists, cinematographers and the wider production and post industry understand the opportunities and challenges that high dynamic range and new delivery formats bring, FilmLight is taking intensive and specialist master classes on a world tour. Dates are already set for London (May 15), Mumbai (May 16), Hollywood (June 4) and Seoul (June 7), with more to be added.
AlphaDogs has completed work on the new WWII short film Krieg. Directed and produced by Jeff Fry, Krieg follows the journey of a Waffen-SS officer who chooses to do the right thing while serving on the wrong side of a world at war. His remorse for inaction in the face of murder compels him to risk all in order to protect a wounded enemy airman.
Deluxe Entertainment Services Group has announced that Skip Kimball has joined leading color grading and post house EFilm as senior colorist. Kimball brings to the company more than 30 years of experience spanning features, television, music videos, and commercials.
FilmLight has introduced BLG for Flame as the latest product in the Baselight Editions range. BLG for Flame is a Linux-only plugin for Autodesk Flame that applies a Baselight grade automatically, either from Baselight Linked Grade files or directly from a Baselight scene.
Post-production finishing for Prospect, the acclaimed feature debut from directors Zeek Earl and Christopher Caldwell, was completed at Umedia in Vancouver. The film, which is co-produced by Depth of Field, The Realm and Ground Control and had its world premiere this month at SXSW, has drawn rave reviews for its genre-bending tale of a teenage girl and her father who travel to a remote, toxic planet in search of riches.
Screen actors convey emotion in several ways: their voices, their eyes and the subtle color changes of their facial skin. But what if – as in the case of Gary Oldman’s Oscar-winning performance in Darkest Hour – much of their face is covered in silicone? That was one of the key questions Peter Doyle, supervising colorist at Technicolor, addressed when he collaborated on the film’s palette.
Veteran colorist Trent Johnson has joined MTI Film. Johnson brings more than 25 years of experience and credits spanning features, animation, episodic television and restoration. His recent credits include Columbia Pictures’ The Emoji Movie, Screen Gems’ Proud Mary and the upcoming MGM comedy Overboard.
The Ymagis Group today announced the launch of a professional license program for its EclairColor high dynamic range system in favor of independent film laboratories, content services companies and projection system integrators. EclairColor used by filmmakers and content creators to significantly enhance the cinema experience by bringing richer colors, greater brightness and definition, more depth of field and more density to the screen.
Ymagis Group today reported that the Bpifrance Assurance Export, acting on behalf of the French State, has approved an overall investment budget of €6 million to help accelerate the development of the EclairColor high dynamic range system in the United States and Canada.