Color Grading

Storaro Discusses His First Digital Shoot

Wed, 08/17/2016 - 12:39 -- Nick Dager

“When Woody Allen asked me to do Café Society, he had never done a digital capture before, but I knew that I had to jump completely into this new chance we had,” said Vittorio Storaro. “I wanted to see images on set that would be very close to the final result and afterwards on dailies even closer, almost 90 percent of that way to what we would see at the end.”

Roundabout Entertainment Boosts HDR Capabilities

Tue, 06/07/2016 - 10:39 -- Nick Dager

Roundabout Entertainment has extended its high dynamic range mastering services by upgrading its DaVinci Resolve systems with the latest software release from Black Magic Design, version 12.5. The new software includes improved HDR grading controls that add to the facility’s ability to finish, grade and deliver theatrical, television and home entertainment projects in HDR. It also adds new tools for editing, visual effects and noise reduction.

Crafting a Classic New York Romance

Fri, 06/03/2016 - 11:43 -- Nick Dager

Post work for director Rebecca Miller’s new romantic comedy Maggie’s Plan, currently in wide release from Sony Pictures Classics, was a labor of love for Technicolor PostWorks New York. A long-time supporter of independent film, the facility furnished suites and systems to picture editor Sabine Hoffman and her crew. It also provided resources for dailies processing, editorial finishing, color grading, sound mixing and deliverables. The project involved months of concentrated effort, spanning pre-production through the film’s world premiere at the Toronto International Film Festival.

NYPD Blue Remastered

Wed, 06/01/2016 - 12:18 -- Nick Dager

In a project for 20th Century Fox spanning nine months, Roundabout Entertainment restored and remastered the first eight seasons of the classic procedural police drama NYPD Blue. More than 170 one-hour episodes were scanned and finished in 2K, restoring the show to pristine quality for a new domestic release.

Technicolor Starts Second Century

Tue, 05/17/2016 - 15:02 -- Nick Dager

Throughout its century in business, Technicolor, the well-known production and post-production house, has worked on features, episodics, and marketing material across the content scale from major studio productions to award-winning independents. More recently, Technicolor has been leading the topic of High Dynamic Range through many outlets including the foundation of the UHD Alliance. Its services range from color grading, mastering services, VFX and final delivery, all of which have now incorporated HDR content.

Technicolor Masters Captain America

Wed, 05/11/2016 - 15:13 -- Nick Dager

Following on the heels of their 2014 hit, Captain America: The Winter Soldier, directors Anthony and Joe Russo have done it again with the Marvel-Disney franchise blockbuster Captain America: Civil War. From a script written by Christopher Markus and Stephen McFeely, which blends dramatic spectacle with legit emotion and humor, the filmmakers once again turned to cinematographer Trent Opaloch, who shot The Winter Soldier. The Technicolor color finishing team led by senior supervising finishing colorist Steve Scott, worked with Opaloch, the Marvel team (producer Kevin Feige, and executive producer Victoria Alonso), and the Russos to provide final color-grading, digital intermediate services, mastering for a wide array of HDR theatrical deliverables, and HDR home masters.


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