AlphaDogs has completed post on the psychedelic horror film Buzzard Hollow Beef where the phrase “you are what you eat” takes on a whole new meaning. In this suspenseful food horror story, a family experiences vivid hallucinations, leading them to believe that cannibalistic hillbillies have poisoned them.
Hare Krishna! The Mantra, The Movement and the Swami Who Started It All is a documentary film on the life of Srila Prabhupada—the 70-year-old Indian Swami who arrived in America without support or money in the turbulent 1960s and ignited a worldwide spiritual phenomenon with only his unflinching determination and faith. The film posted at AlphaDogs in Burbank. As with most historical documentaries, the biggest hurdle the team had to overcome were the technical challenges inherent in working with multiple source formats.
Éclair and EuropaCorp have announced that Luc Besson’s latest film, Valerian and the City of a Thousand Planets, will be available in ÉclairColor and in 2D in select cinemas in France July 26 and in Germany July 20, via Universum Films.
AlphaDogs has completed post-production services on Sony’s new superhero comedy, Cross Wars, a high-spirited and dynamic action comedy in the vein of Deadpool and The Cannonball Run. The story features lots of celebrities (Danny Trejo, Tom Sizemore, Brian Austin Green, Vinnie Jones and more), as well as newcomers having fun battling the streets of Los Angeles, with hot girls, sexy guns and witty banter.
Released this month by IFC Films, Band Aid marks the directorial debut of Zoe Lister-Jones, best known for her acting roles on Life in Pieces and New Girl. The film has been earning rave reviews for its engaging story of a couple who turn to songwriting to work out their marital difficulties. It has also generated lots of buzz for Lister-Jones’s unique decision to employ women in all key production and post-production crew positions.
Starz's original series American Gods adapts author Neil Gaiman's novel into a feast of visceral imagery. Developed by Bryan Fuller and Michael Green, and produced by FremantleMedia North America, the ambitious project features extensive visual effects, which were facilitated via The Portal, Deluxe’s cloud-based proprietary service.
Barcelona post-production and digital effects house Antaviana Films recently completed work on an array of feature films, including Incerta Glòria by Agustí Villaronga, La Higuera de los Bastardosby Ana Murugarren, and Non è un paese per giovani by Giovanni Veronesi. For these projects, Antaviana Films used Mistika Ultima with a Tangent Element control panel for conforming, color correction, finishing, and VFX compositing.
Ymagis Group announced today that Barco high contrast 6P laser cinema projection systems are now ÉclairColor-compliant. The announcement was made in Barcelona during CineEurope, the official convention of the International Union of Cinemas (UNIC) in Europe.
For Nissan’s Return of the Snowman spot, visual effects specialists The Embassy in Vancouver banded together with post house Alter Ego in Toronto. The Embassy is well known for its photo-realistic, hard surface VFX work, from creating the digital Iron Man suits for all three films to building massive drop ship hangers for The Hunger Games trilogy. Having worked on countless commercials with Alter Ego, The Embassy made the decision to become part of the creative process for grading, to improve the efficiency and precision of their VFX work and present a consistent preview to their clients.
Designing a precise color workflow during pre-production can save motion picture projects time and money. The larger and more complex the project, the more the potential for savings. Digital imaging technician Francesco Giardello (Pan, Game of Thrones, Ben-Hur, Thor: The Dark World) can accurately be described as a pioneer in the use of the Academy Color Encoding System on-set. He recently designed a set-to-post color workflow using ACES for the movie Life, directed by Daniel Espinosa and starring Jake Gyllenhaal, Rebecca Ferguson and Ryan Reynolds. This space thriller from Sony tells the story of the crew aboard the International Space Station and what happens when they encounter extra-terrestrial life in the form of an organism they name Calvin. On Life, Giardello worked closely with cinematographer Seamus McGarvey ASC BSC. The main cameras used were Arri Alexa 65s although, according to Giardello, several other cameras were also utilized. I spoke with Giardello about the color workflow used on Lif