Color Grading

Playing with the Color Space

Mon, 06/18/2018 - 12:31 -- Nick Dager

Manuel Canchola is a freelance colorist based in Mexico City. He works on a mixture of commercials, television and film and uses this variety to continuously improve his skills as a colorist. Canchola, a passionate advocate for new technology and, in particular, high dynamic range, recently spoke with Digital Cinema Report about his career and his work in color grading.

Pretty in Pink Meets Superbad

Fri, 06/15/2018 - 11:38 -- Nick Dager

“I think if you’re making a high school movie, you can’t not watch John Hughes movies for reference,” said cinematographer Hillary Spera (Duck Butter, Submission). “Even if it’s subliminal, they’re woven into the language.” Filmmaker John Hughes had a string of hit films in the 1980s that were a true depiction of high school life in middle class suburbia. Movies like 16 Candles, The Breakfast Club, and Pretty in Pink portrayed teen characters with depth and intelligence but were also comedic.

Fahrenheit 451: Revisiting a Classic

Wed, 06/06/2018 - 11:50 -- Nick Dager

Written during the McCarthy era and published in 1953, Ray Bradbury’s classic dystopian novel, Fahrenheit 451, is set in a society where books are outlawed and firemen are charged with burning them. The novel has had many adaptations, most famously in François Truffaut’s 1966 film, which starred Oskar Werner and Julie Christie. In 2018, Ramin Bahrani co-wrote and directed the film adaptation for HBO, starring Michael B. Jordan, who also served as executive producer. The stylized film was shot by cinematographer Kramer Morgenthau, ASC (Game of Thrones, Thor: The Dark World, Terminator Genisys).

Streamlined Workflow Helped Complete Donbass

Thu, 05/10/2018 - 11:21 -- Nick Dager

Donbass, a new movie by Ukrainian writer/director Sergei Loznitsa, is to be shown as a work-in-progress version at the 2018 Cannes Film Festival. Post-production was to a tight timescale – shooting only wrapped in March – and Bucharest facility Digital Cube used a Baselight grading suite to ensure delivery while retaining full creative control over the look.

FilmLight Offering Worldwide Master Classes on Color

Tue, 05/08/2018 - 12:09 -- Nick Dager

To help colorists, cinematographers and the wider production and post industry understand the opportunities and challenges that high dynamic range and new delivery formats bring, FilmLight is taking intensive and specialist master classes on a world tour. Dates are already set for London (May 15), Mumbai (May 16), Hollywood (June 4) and Seoul (June 7), with more to be added.

AlphaDogs Completes Effects Work on Krieg

Wed, 05/02/2018 - 11:58 -- Nick Dager

AlphaDogs has completed work on the new WWII short film Krieg. Directed and produced by Jeff Fry, Krieg follows the journey of a Waffen-SS officer who chooses to do the right thing while serving on the wrong side of a world at war. His remorse for inaction in the face of murder compels him to risk all in order to protect a wounded enemy airman.

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Genre-Bending Film Finishes at Umedia

Thu, 03/22/2018 - 14:15 -- Nick Dager

Post-production finishing for Prospect, the acclaimed feature debut from directors Zeek Earl and Christopher Caldwell, was completed at Umedia in Vancouver. The film, which is co-produced by Depth of Field, The Realm and Ground Control and had its world premiere this month at SXSW, has drawn rave reviews for its genre-bending tale of a teenage girl and her father who travel to a remote, toxic planet in search of riches.

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The Color of Emotions

Tue, 03/06/2018 - 15:11 -- Nick Dager

Screen actors convey emotion in several ways: their voices, their eyes and the subtle color changes of their facial skin. But what if – as in the case of Gary Oldman’s Oscar-winning performance in Darkest Hour – much of their face is covered in silicone? That was one of the key questions Peter Doyle, supervising colorist at Technicolor, addressed when he collaborated on the film’s palette.

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