The 2016 NAB Show's The Future of Cinema Conference: The Immortal Movie, produced in partnership with SMPTE, will explore how content creators and storytellers combine artistry with motion-imaging technology to thrive today — and into the future. Acclaimed film director Ang Lee will give the keynote address, Pushing the Limits of Cinema, and discuss his vision for cinema and the creative opportunities for the future of filmmaking.
Cooke Optics has unveiled a specially manufactured set of anamorphic lenses called Anamorphic/i SF. The new lens range, which is complementary to the acclaimed Anamorphic/i series, offers a coating that gives cinematographers even more options for anamorphic character.
Award-winning cinematographer Nancy Schreiber, ASC recently shot a two-minute public service announcement for YouTube honoring International Women’s Day. The spot profiles seven YouTube creators from around the world who serve as Change Ambassadors in support of the United Nations Sustainable Development Goals Action Campaign, using their voices to stand up for gender equality.
Cinematographer Shane Hurlbut, ASC used a series of 10 Cooke S4/i focal lengths to shoot Gabriele Muccino's latest feature Fathers and Daughters, starring Russell Crowe and Amanda Seyfried. Hurlbut's lens package for the Canon EOS D500 and MōVI digital 3-axis gyro-stabilized handheld camera gimbal included the Cooke S4/i 14mm, 18mm, 21mm, 27mm, 32mm, 40mm, 50mm, 75mm, 100mm, and 135mm lenses. Fathers and Daughters, a Voltage Films and Busted Shark production of a Voltage Pictures Film, marks the ninth feature film Hurlbut has shot with Cooke lenses.
Emmanuel Lubezki, ASC, AMC; Vanja Cernjul, ASC, HFS; Pierre Gill, CSC; Adam Arkapaw, ACS; and Mátyás Erdély, HSC earned top honors in the four competitive categories at the 30th Annual American Society of Cinematographers Awards for Outstanding Achievement.
The upcoming dramatic series Containment, slated for a mid-season premiere on the CW Television Network, follows an epidemic that breaks out in Atlanta, leaving the large city quarantined and those stuck on the inside fighting for their lives. The series was shot by co-directors of photography William Wages ASC and John Smith with four VariCam 35 4K camera/recorders.
Along with being one of the most hotly anticipated movies of 2016, The Revenant is also highly likely to carry away a clutch of major prizes during awards season. In addition to key nominations for best film and best acting in a motion picture, the movie has also secured nominations for best cinematography. Little wonder. The work of Mexican DP Emmanuel “Chivo” Lubezki AMC ASC – working in horrendous cold and using only natural light – has been lauded by the critics as the “consummate cinematic experience.”
Panasonic has released free VariCam menu simulation programs that deliver a virtual, instructional tour of the operation of the VariCam 35 4K cinema camera/recorder, VariCam 35 with Codex V-RAW recorder or VariCam HS high-speed camera/recorder.
The American Society of Cinematographers has nominated three cinematographers for the 2016 Spotlight Award, which recognizes outstanding cinematography in feature-length projects that are screened at festivals, internationally, or in limited theatrical release. The winner will be announced at the 30th ASC Awards on February 14, at the Hyatt Regency Century Plaza. The 2016 nominees are Adam Arkapaw for Macbeth, Mátyás Erdély, HSC for Son of Saul and Cary Joji Fukunaga for Beasts of No Nation.
The nominees in the theatrical release category of the 30th Annual American Society of Cinematographers Awards for Outstanding Achievement are Roger Deakins, ASC, BSC for Sicario, Janusz Kaminski for Bridge of Spies, Ed Lachman, ASC for Carol, EmmanuelLubezki, ASC, AMC for The Revenant and John Seale, ASC, ACS for Mad Max: Fury Road. The winner will be revealed on February 14 during the ASC Awards gala at the Hyatt Regency Century Plaza in Los Angeles.