Greig Fraser, ASC, won the coveted Theatrical Award for best cinematography in a motion picture for Lion at the 31st Annual American Society of Cinematographers Awards for Outstanding Achievement. The ASC Spotlight Award went to Gorka Gómez Andreu, AEC, for House of Others. Winners in the TV categories included Fabian Wagner, BSC for Game of Thrones, Tod Campbell for Mr. Robot and Igor Martinovic for The Night Of.
The Society of Motion Picture and Television Engineers today announced final approval of its nomination of Andy Maltz as 2018-2020 chair of ISO/TC 36, the International Organization for Standardization group dedicated to cinematography. Maltz, who is managing director of the Academy of Motion Picture Arts and Sciences' Science and Technology Council, will serve as chair-elect in 2017 as SMPTE member Julian Pinn, the current chair, serves out his term after nine years in the ro
When cinematographer Johan-Fredrik Bødtker, FNF was selected to shoot the forthcoming Norwegian drama series, Valkyrien, he knew what look he wanted. “I wanted the series to feel clean and contemporary but move away from the typical Nordic noir look. It was also very important to me that we could capture the details and mood on all of the different sets, especially the dark and dirty ones,” said Bødtker. “I needed a glass that was sharp, but not too sharp, that would have the right fall off and bokeh, and that would not flare or ghost as soon as the camera was pointed at a light source.”
Award-winning cinematographer Theo Van De Sande ASC was an early supporter of the Academy Color Encoding System, using version 0.2.2 on civil war drama Deliverance Creek in 2013, which was nominated for the ASC Award for Television. Since then he has been a staunch supporter, using ACES on numerous TV shows and pilots. When he was offered the chance to shoot Bad Santa 2 for Miramax, he turned again to ACES for his color-processing pipeline.
The American Society of Cinematographers has announced nominees in the Theatrical Release and Spotlight categories for the 31st Annual ASC Awards for Outstanding Achievement in Cinematography. Winners will be named on February 4 at the Society’s awards gala held at Hollywood & Highland’s Ray Dolby Ballroom.
Red Dog: True Blue is the iconic Australian story of friendship and adventure between a young boy and a scrappy one-of-a-kind dog that would grow up to become an Australian legend. The film is the prequel to 2011's Red Dog. Both films were directed by Kriv Stenders, written by Daniel Taplitz, and photographed by Geoffrey Hall. The film features wide desert vistas of Western Australia. It was shot full 2.40 anamorphic using an Alexa XT with a Cooke Anamorphic/i lens package from boutique rental house HyperFocal of Sydney.
The upcoming feature film Maine follows the journey of a married woman from Spain to reclaim her identity while solo thru-hiking the Appalachian Trail, a trip that is sidetracked when a lone American hiker pursues her. Cinematographer Donald R. Monroe said, “Simply getting to our locations proved a major hurdle. Frequently, each day began by transporting the entire production over a mile via ATVs; then the shooting crew would walk an additional ten minutes to the location. We were often far from battery charging and data transfer stations— the high-capacity P2 cards allowed us to be largely self-sufficient.
Star is a new Fox TV music drama from Academy Award and Golden Globe nominee Lee Daniels (Empire, Precious). Exposing the cutthroat music industry, Star follows three talented singers as they navigate the road to stardom. Cinematographer Roberto Schaefer, ASC, AIC (Quantum of Solace, Finding Neverland, Monster’s Ball) shot the series pilot on Panasonic VariCam 35 cinema cameras.
Honoring one of Hollywood’s biggest icons, the American Society of Cinematographers will bestow their Board of Governors Award on director Denzel Washington on February 4, 2017, during the 31st ASC Awards at Hollywood & Highland’s Ray Dolby Ballroom. The organization presents the accolade to individuals in the industry whose body of work has made significant and indelible contributions to cinema. It is the only ASC Award not given to a cinematographer, and is reserved for filmmakers who have been champions for directors of photography and the visual art form.
When Gavin Struthers ASC, one of Britain's leading cinematographers, learned he’d been selected to shoot the U.S. television drama series Black Sails, he knew there would be a lot of challenging location work including water scenes and day-for-night scenes. Black Sails is set roughly two decades before the events of Treasure Island and during the Golden Age of Piracy.