Anthony Bloom, chairman Cineworld Group, will receive this year’s Lifetime Achievement Award at CinemaCon 2019. Mitch Neuhauser, managing director of the show made the announcement. CinemaCon, the official convention of the National Association of Theatre Owners, will be held April 1-4 at Caesars Palace in Las Vegas. Bloom will be presented with this honor during opening night festivities.
Jérôme Seydoux, co-chairman and CEO of Pathé and chairman and CEO, Les Cinemas Pathe Gaumont, will receive this year’s Career Achievement in Exhibition Award, Mitch Neuhauser, managing director of CinemaCon announced today. CinemaCon, the official convention of the National Association of Theatre Owners, will be held April 1-4 at Caesars Palace in Las Vegas. Seydoux will be presented with this honor at the International Day Luncheon taking place on April 1.
Severtson Screens will feature its recently introduced enhanced SēVision 3D GX-WA projection screen coating at CinemaCon 2019 in Las Vegas, Nevada April 1-4 at Caesars Palace.
Severtson Screens will exhibit options for its folded SēVision 3D GX line of cinema projection screens during CinemaCon 2019 at Caesars Palace in Las Vegas April 1-4.
Helen Moss, senior vice president of international distribution, Paramount Pictures will receive this year’s Passepartout Award. Mitch Neuhauser, managing director of CinemaCon made the announcement. The award is presented annually to an industry executive who demonstrates dedication and commitment to the international marketplace. CinemaCon, the official convention of the National Association of Theatre Owners, will be held April 1-4 at Caesars Palace in Las Vegas. Moss will be presented with this honor at the International Day Luncheon taking place April 1.
The National Association of Theatre Owners will honor John D. Loeks, chairman of Studio C, with the 2019 NATO Marquee Award during this year’s CinemaCon, according to the conference’s managing director Mitch Neuhauser. CinemaCon, the official convention of NATO, will be held April 1-4, 2019 at Caesars Palace in Las Vegas.
CinemaCon 2017 demonstrated, once and for all, that this is truly the dawn of the digital cinema era. The installation of digital projection systems in virtually every movie theatre in the world was the beginning of something, not the conclusion, because it opened the door to a wide range of possibilities. The tradeshow floors in Caesar’s Palace demonstrated this fact more than ever before. For the third consecutive year, a host of new companies crowded the exhibit halls. On display were products and services designed not simply to improve the operation of a movie theatre, but, in some cases, to expand the concept of what a movie theatre is. And, for the third year in a row, Digital Cinema Report is presenting the Catalyst Award to those products that we consider to be the best new technology on display at CinemaCon 2017.
The Society of Motion Picture and Television Engineers today announced that Shane Murphy has won the $5,000 grand prize in The Vista Project student filmmaker competition and that Jon Navarro was selected as runner-up. Led by cinema-industry pioneer Bud Mayo, chairman of New Vision Theatres, and by Barbara Lange, SMPTE and Hollywood Professional Association executive director, the judging committee named the winners during CinemaCon week, March 27-30 at Caesars Palace in Las Vegas.
CinemaCon 2017 featured a dizzying array of technology possibilities that, depending on who you talked to, were exciting, intimidating or overwhelming. The trade show, held at Caesar’s Palace in Las Vegas, is the National Association of Theatre Owners’ annual gathering of exhibitors from around the world. More than one attendee labeled the show Digital Cinema 2.0. The digital cinema transition was not the end of anything; it was very much the beginning of something even bigger. That was because this year’s CinemaCon made it perfectly clear that the days of the basic 2K-projector, server and vanilla theatre management software package are numbered. To remain competitive, perhaps even simply to stay in business, exhibitors must learn to fully embrace new technology.
For more than a decade, theatre management software has been the backbone of every cinema that made the transition to digital projection technology, which is to say, virtually every movie theatre in the world. Many different manufacturers provide their own approach to the challenges that TMS was designed to address. I recently spoke with five TMS manufacturers and asked if they thought exhibitors were getting the most from their TMS, where their TMS fits in a movie theatre enterprise and, most of all, what new ideas in TMS can we expect to see when the industry gathers in Las Vegas next week for CinemaCon 2017. We’re presenting the companies alphabetically and will be offering their answers over the next five days. Today’s company: CinemaNext.