CinemaCon 2017

The CinemaCon 2017 Catalyst Awards

Wed, 04/12/2017 - 11:36 -- Nick Dager

CinemaCon 2017 demonstrated, once and for all, that this is truly the dawn of the digital cinema era. The installation of digital projection systems in virtually every movie theatre in the world was the beginning of something, not the conclusion, because it opened the door to a wide range of possibilities. The tradeshow floors in Caesar’s Palace demonstrated this fact more than ever before. For the third consecutive year, a host of new companies crowded the exhibit halls. On display were products and services designed not simply to improve the operation of a movie theatre, but, in some cases, to expand the concept of what a movie theatre is. And, for the third year in a row, Digital Cinema Report is presenting the Catalyst Award to those products that we consider to be the best new technology on display at CinemaCon 2017.

Vista Project Student Filmmaker Winners Named

Tue, 04/11/2017 - 14:46 -- Nick Dager

The Society of Motion Picture and Television Engineers today announced that Shane Murphy has won the $5,000 grand prize in The Vista Project student filmmaker competition and that Jon Navarro was selected as runner-up. Led by cinema-industry pioneer Bud Mayo, chairman of New Vision Theatres, and by Barbara Lange, SMPTE and Hollywood Professional Association executive director, the judging committee named the winners during CinemaCon week, March 27-30 at Caesars Palace in Las Vegas.

CinemaCon 2017: Digital Reboot

Sat, 04/01/2017 - 16:47 -- Nick Dager

CinemaCon 2017 featured a dizzying array of technology possibilities that, depending on who you talked to, were exciting, intimidating or overwhelming. The trade show, held at Caesar’s Palace in Las Vegas, is the National Association of Theatre Owners’ annual gathering of exhibitors from around the world. More than one attendee labeled the show Digital Cinema 2.0. The digital cinema transition was not the end of anything; it was very much the beginning of something even bigger. That was because this year’s CinemaCon made it perfectly clear that the days of the basic 2K-projector, server and vanilla theatre management software package are numbered. To remain competitive, perhaps even simply to stay in business, exhibitors must learn to fully embrace new technology.

CinemaNext: What’s New in TMS?

Fri, 03/24/2017 - 11:58 -- Nick Dager

For more than a decade, theatre management software has been the backbone of every cinema that made the transition to digital projection technology, which is to say, virtually every movie theatre in the world. Many different manufacturers provide their own approach to the challenges that TMS was designed to address. I recently spoke with five TMS manufacturers and asked if they thought exhibitors were getting the most from their TMS, where their TMS fits in a movie theatre enterprise and, most of all, what new ideas in TMS can we expect to see when the industry gathers in Las Vegas next week for CinemaCon 2017. We’re presenting the companies alphabetically and will be offering their answers over the next five days. Today’s company: CinemaNext.

Tags: 

A Closer Look at Dolby’s IMS3000

Thu, 03/23/2017 - 11:43 -- Nick Dager

Dolby Laboratories today introduced the Dolby Integrated Media Server IMS3000, which combines Dolby audio and image processing in one unit. According to the company, when coupled with the Dolby Multichannel Amplifier and SLS Express Series, it offers a complete, integrated solution from 5.1 to Dolby Atmos. In advance of CinemaCon 2017, I spoke with Michael Archer, Dolby’s vice president of worldwide cinema sales, to get a closer look.

Unique Digital: What’s New in TMS?

Thu, 03/23/2017 - 11:36 -- Nick Dager

For more than a decade, theatre management software has been the backbone of every cinema that made the transition to digital projection technology, which is to say, virtually every movie theatre in the world. Many different manufacturers provide their own approach to the challenges that TMS was designed to address. I recently spoke with five TMS manufacturers and asked if they thought exhibitors were getting the most from their TMS, where their TMS fits in a movie theatre enterprise and, most of all, what new ideas in TMS can we expect to see when the industry gathers in Las Vegas next week for CinemaCon 2017. We’re presenting the companies alphabetically and will be offering their answers over the next five days. Today’s company: Unique Digital.

Dolby Unveils IMS3000

Thu, 03/23/2017 - 11:26 -- Nick Dager

Dolby Laboratories today announced a full spectrum of integrated solutions that will save exhibitors of all sizes both time and money while delivering audiences an experience they can trust from Dolby. The new Dolby Integrated Media Server IMS3000 combines Dolby audio and image processing in one unit. When coupled with the Dolby Multichannel Amplifier and SLS Express Series, they offer a complete, integrated solution from 5.1 to Dolby Atmos.

GDC: What’s New in TMS?

Wed, 03/22/2017 - 10:31 -- Nick Dager

For more than a decade, theatre management software has been the backbone of every cinema that made the transition to digital projection technology, which is to say, virtually every movie theatre in the world. Many different manufacturers provide their own approach to the challenges that TMS was designed to address. I recently spoke with five TMS manufacturers and asked if they thought exhibitors were getting the most from their TMS, where their TMS fits in a movie theatre enterprise and, most of all, what new ideas in TMS can we expect to see when the industry gathers in Las Vegas next week for CinemaCon 2017. We’re presenting the companies alphabetically and will be offering their answers over the next five days. Today’s company: GDC.

Pages

Subscribe to CinemaCon 2017